SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Voice and the Actor
0 references·16 citing·45 second hop
Voice and the Actor (1973)Voice and the ActorWhen role-play comes alive (2017)When role-play comes aliveThe unspoken voice and speech debate [or] the sacred cow in the conservatory (2016)The unspoken voice and speech…The role of ‘presence’ in training actors’ voices1 (2016)The role of ‘presence’ in tra…Breath, tremoring, and performance anxiety: How can Fitzmaurice Voicework’s Destructuring address performance anxiety in undergraduate acting training? (2016)Breath, tremoring, and perfor…Actor training and emotions: Finding a balance (2016)Actor training and emotions: …Dysconscious racism in mainstream British voice pedagogy and its potential effects on students from pluralistic backgrounds in UK Drama Conservatoires (2015)Dysconscious racism in mainst…When the Voice Itself Is Image (2009)When the Voice Itself Is ImageVoicing Culture: Training Korean Actors' Voices through the Namdaemun Market Projects (2009)Voicing Culture: Training Kor…Movement training for the modern actor (2009)Movement training for the mod…(Re)considering the Role of Breath in Training Actors' Voices: Insights from Dahnjeon Breathing and the Phenomena of Breath (2009)(Re)considering the Role of B…The sound of meaning: theories of voice in twentieth-century thought and performance (2002)The sound of meaning: theorie…The Routledge Reader in Politics and Performance (2002)The Routledge Reader in Polit…Two Opposite Animals? Voice, Text, and Gender on Stage. (1998)Two Opposite Animals? Voice, …Voice: the Practitioners, their Practices, and their Critics (1997)Voice: the Practitioners, the…Performing Shakespeare: Voice Training and the Feminist Actor (1996)Performing Shakespeare: Voice…Voice Work in Dramatherapy (1995)Voice Work in DramatherapyThe Empty Space (1968)Political Shakespeare: New Essays in Cultural Materialism (1986)The Subject of Tragedy: Identity and Difference in Renaissance Drama (1987)Can you hear my age? Influences of speech rate and speech spontaneity on estimation of speaker age (2015)Culture Shock (1986)Drama for Learning: Dorothy Heathcote's Mantle of the Expert Approach to Education (1995)The Intercultural performance reader (1997)Training a performer’s voices (2016)Practice‐based educational and theatre research: A scoping review (2025)The Ritual Process: Structure and Anti-Structure (1976)The absent body (1990)For more than one voice: toward a philosophy of vocal expression (2005)The Making of a Counter Culture (1970)Acting Out (1993)The Weyward Sisters: Shakespeare and Feminist Politics (1994)CARYL CHURCHILL:REPRESENTATIONAL NEGOTIATIONS AND PROVISIONAL TRUTHS (2004)Image-Music-Text (1977)For More than One Voice (2005)Revolution in Poetic Language (2024)Teaching to transgress: education as the practice of freedom (1995)The feeling of what happens: body and emotion in the making of consciousness (2000)De-Colonizing Listening: Toward an Equitable Approach to Speech Training for the Actor (2019)Online Theatre Voice Pedagogy: A Literature Review (2020)Communication and Resilience in Acting Students: A Qualitative Study (2021)Education for Critical Consciousness (2021)Handbook of Qualitative Research (1994)InterViews learning the craft of qualitative research interviewing (2008)Digital Natives, Digital Immigrants (2012)Acoustic Theory of Speech Production (1971)Problem-Based Learning: What and How Do Students Learn? (2004)Why Minimal Guidance During Instruction Does Not Work: An Analysis of the Failure of Constructivist, Discovery, Problem-Based, Experiential, and Inquiry-Based Teaching (2006)Finding a Way: More Tales of Dyslexia and Dyspraxia in Psychophysical Actor Training (2018)Insights, Considerations, and Suggestions for the Practitioner-Researcher in Voice Studies (2022)Phenomenology of Perception (1982)Gender Trouble: Feminism and the Subversion of Identity (1991)Bodies That Matter (2011)Locating the self: narratives and practices of authenticity in French clown training (2011)Rethinking actor training: training body, mind and … ideological awareness (2013)An actor manages: actor training and managerial ideology (2014)The Presentation of Self in Everyday Life. (1956)How To Do Things With Words (1975)The Postmodern Condition: A Report on Knowledge (1984)Curiosity or Contempt: On Spectacle, the Human, and Activism (2003)PERFORMING PROTEST: DRAG SHOWS AS TACTICAL REPERTOIRE OF THE GAY AND LESBIAN MOVEMENT (2004)Performing Nursing: BC Nurses’ Union Theatre Project (2015)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2002The Routledge Reader in Politics and Performance57 cited
  • 2009Movement training for the modern actor39 cited
  • 2016The unspoken voice and speech debate [or] the sacred cow in the conservatory32 cited
  • 2015Dysconscious racism in mainstream British voice pedagogy and its potential effects on students from pluralistic backgrounds in UK Drama Conservatoires21 cited
  • 1996Performing Shakespeare: Voice Training and the Feminist Actor18 cited
  • 1997Voice: the Practitioners, their Practices, and their Critics12 cited
  • 2009Voicing Culture: Training Korean Actors' Voices through the Namdaemun Market Projects9 cited
  • 2009When the Voice Itself Is Image8 cited
  • 2016Actor training and emotions: Finding a balance8 cited
  • 2009(Re)considering the Role of Breath in Training Actors' Voices: Insights from Dahnjeon Breathing and the Phenomena of Breath7 cited
  • 2016The role of ‘presence’ in training actors’ voices17 cited
  • 2017When role-play comes alive7 cited
  • 1998Two Opposite Animals? Voice, Text, and Gender on Stage.7 cited
  • 2002The sound of meaning: theories of voice in twentieth-century thought and performance7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2016Breath, tremoring, and performance anxiety: How can Fitzmaurice Voicework’s Destructuring address performance anxiety in undergraduate acting training?6 cited
  • 1995Voice Work in Dramatherapy4 cited