SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Die Kunst des reinen Satzes in der Musik
0 references·16 citing·35 second hop
Die Kunst des reinen Satzes in der Musik (1988)Die Kunst des reinen Satzes in der MusikKanonmodelle ›Note gegen Note‹ in der Musiktheorie des 18. Jahrhunderts (2022)Kanonmodelle ›Note gegen Note…To “Fill Up, Completely, the Whole Capacity of the Mind”: Listening with Attention in Late Eighteenth-Century Scotland (2021)To “Fill Up, Completely, the …The Cambridge Haydn Encyclopedia (2019)The Cambridge Haydn Encyclope…An Eighteenth-Century Theory of Musical Cognition? (2018)An Eighteenth-Century Theory …Im Niemandsland zwischen strengem Satz und Historismus. Zur Krise der Kontrapunktlehre im mittleren 19. Jahrhundert (2016)Im Niemandsland zwischen stre…An Information Theoretic Approach to Chord Categorization and Functional Harmony (2015)An Information Theoretic Appr…Music and Dance in the Ancien Régime (2014)Music and Dance in the Ancien…Folding into being: early embryology and the epistemology of rhythm (2014)Folding into being: early emb…Leonhard Euler’s Unfinished Theory of Rhythm (2013)Leonhard Euler’s Unfinished T…“Boundaries” and “thresholds”: Conceptual models of the musical mind in the history of music psychology (2013)“Boundaries” and “thresholds”…Harmony in Haydn and Mozart (2012)Harmony in Haydn and MozartMusic Theory: Speculation, Reasoning, Experience. A Perspective from Systematic Musicology (2010)Music Theory: Speculation, Re…Harmonik und Aufführungspraxis (2009)Harmonik und AufführungspraxisHistorisches Panoptikum der Satzmodelle (2007)Historisches Panoptikum der S…Musician's and physicist's view on tuning keyboard instruments (2006)Musician's and physicist's vi…J. S. Bach's Mixolydian Chorale Harmonizations (1993)J. S. Bach's Mixolydian Chora…Classic Music: Expression, Form, and Style (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Triple Counterpoint and Six‐Four Chords in Bach's Sinfonia in F Minor (2015)Musical Causality and Schubert’s Piano Sonata in A Major, D 959, First Movement (2016)Rameau and Musical Thought in the Enlightenment (1994)Fantasy Pieces (1999)Metric Manipulations In Haydn And Mozart (2009)An Analysis of Artistic form and Musical Perspective of Romantic Era Music (2021)The Great Chain of Being (1963)The Order of Things: An Archaeology of the Human Sciences. (1971)Geschichtliche Grundbegriffe. Historisches Lexikon zur politisch-sozialen Sprache in Deutschland (1974)The Explanatory Role of Umwelt in Evolutionary Theory: Introducing von Baer’s Reflections on Teleological Development (2024)Between Modes and Keys: German Theory 1592-1802 (1991)A Model for Scale-Degree Reinterpretation: Melodic Structure, Modulation, and Cadence Choice in the Chorale Harmonizations of J. S. Bach (2015)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)The Geometry of Musical Chords (2006)A geometry of music: harmony and counterpoint in the extended common practice (2011)Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung (2016)Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis (2020)The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The Cambridge History of Western Music Theory (2002)Ways of listening: an ecological approach to the perception of musical meaning (2006)Praecepta der musicalischen Composition (1955)Versuch einer Anleitung zur Composition (1969)Introduction to Schenkerian Analysis (1983)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)The processing-speed theory of adult age differences in cognition. (1996)An Essay concerning Human Understanding (1690)Essays on the Intellectual Powers of Man (1785)Sensorimotor synchronization: A review of the tapping literature (2005)Distinction: A Social Critique of the Judgement of Taste. (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Reassembling the Social (2005)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2012Harmony in Haydn and Mozart74 cited
  • 2015An Information Theoretic Approach to Chord Categorization and Functional Harmony32 cited
  • 1993J. S. Bach's Mixolydian Chorale Harmonizations24 cited
  • 2018An Eighteenth-Century Theory of Musical Cognition?20 cited
  • 2019The Cambridge Haydn Encyclopedia18 cited
  • 2014Folding into being: early embryology and the epistemology of rhythm9 cited
  • 2021To “Fill Up, Completely, the Whole Capacity of the Mind”: Listening with Attention in Late Eighteenth-Century Scotland8 cited
  • 2007Historisches Panoptikum der Satzmodelle6 cited
  • 2013Leonhard Euler’s Unfinished Theory of Rhythm5 cited
  • 2010Music Theory: Speculation, Reasoning, Experience. A Perspective from Systematic Musicology4 cited
  • 2022Kanonmodelle ›Note gegen Note‹ in der Musiktheorie des 18. Jahrhunderts4 cited
  • 2013“Boundaries” and “thresholds”: Conceptual models of the musical mind in the history of music psychology3 cited
  • 2014Music and Dance in the Ancien Régime3 cited
  • 2006Musician's and physicist's view on tuning keyboard instruments3 cited
  • 2016

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Im Niemandsland zwischen strengem Satz und Historismus. Zur Krise der Kontrapunktlehre im mittleren 19. Jahrhundert
3 cited
  • 2009Harmonik und Aufführungspraxis3 cited