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The Chromatic Fourth During Four Centuries of Music
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The Chromatic Fourth During Four Centuries of Music (1998)The Chromatic Fourth During Four Centurie…Key-Specific Structure in Mozart's Music: A Peek into his Creative Process? (2023)Key-Specific Structure in Moz…Music as a non-arbitrary avenue for exploration of the social (2021)Music as a non-arbitrary aven…Triple Counterpoint and Six‐Four Chords in Bach's Sinfonia in F Minor (2015)Triple Counterpoint and Six‐F…THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK (2015)THE MORTE: A GALANT VOICE-LEA…›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 130 (2012)›Der leere Platz‹. Überlegung…Making and remaking (2003)Making and remakingThe Organ Music of J. S. Bach (1984)The Organ Music of J. S. BachClassical Form (1998)The Classical Cadence: Conceptions and Misconceptions (2004)Music in the Galant Style (2007)Praecepta der musicalischen Composition (1955)Some Thoughts on Bach's Neumeister Chorales (1993)Bach and the Chaconne (1999)Bach's extraordinary temperament: our Rosetta Stone--1 (2005)The archaeology of knowledge ; and, The discourse on language (1972)The Act of Reading (1980)Classic Music: Expression, Form, and Style (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Gjerdingen’s Schemata Reexamined (2018)The Volta: A Galant Gesture of Culmination (2020)Tonality (2023)Biographie von Ludwig van Beethoven (1909)Differenz und Wiederholung (1992)Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (2010)Collected Papers of Charles Sanders Peirce (1935)Musicking: the meanings of performing and listening (1999)The way we think: conceptual blending and the mind's hidden complexities (2002)Popular Culture: A Content Analysis of Filipino Music by the Group SB19 (2025)Cognitive representations of semantic categories. (1975)Edward Klorman, Mozart’s Music of Friends: Social Interplay in the Chamber Works. Cambridge: Cambridge University Press 2016 (2021)
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  • 1984The Organ Music of J. S. Bach81 cited
  • 2015THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK46 cited
  • 2015Triple Counterpoint and Six‐Four Chords in Bach's Sinfonia in F Minor15 cited
  • 2023Key-Specific Structure in Mozart's Music: A Peek into his Creative Process?14 cited
  • 2021Music as a non-arbitrary avenue for exploration of the social5 cited
  • 2003Making and remaking5 cited
  • 2012›Der leere Platz‹. Überlegungen zur Anfangswendung von Beethovens Streichquartett op. 1302 cited

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