Between Opera and Cinema

Abstract

Introduction. 1. From Mephisophes to Melies: Spectacle and Narrative in Opera and Early Film Rose Theresa 2. ain't no Sanity Claus! The Marx Brothers at the Opera Michael Grover Friedlander 3. The Tales of Hoffmann: An instance of the Operatic Lesley Stern 4. The Cinematic Body in the Operatic Theater: Philip Glass's La Belle et la bete Jeongwon Joe 5. Why Does Hollywood Like Opera? Marc A. Weiner 6. Opera on Film: Sentiment and Wit, Feeling and Knowing, Shawshank Redemption and Prizzi's Honor Mary Hunter 7. Is There a Text in this Libido? Diva and the Rhetoric of Contemporary Opera Criticism David. J Levin 8. The Elusive Voice: Absence and Presence in Jean-Pierre Ponnelle's Film Le Nozze di Figaro Marcia J. Citron 9. Verdi in Post-War Italian Cinema Deborah Crisp and Roger Hillman 10. Chinese Opera, Global Cinema, and the Ontology of the Person: Chen Kaige's Farewell My Concubine Teri Silvio 11. Sounding out the Operatic in Jacques Rivette's Noroit Mary M. Wiles

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