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Between Opera and Cinema
0 references·16 citing·23 second hop
Between Opera and Cinema (2012)Between Opera and CinemaOpera as Hypermedium (2021)Opera as HypermediumFinding Meaning in Intermedial Gaps (2020)Finding Meaning in Intermedia…The Aura of Opera Reproduced: Fantasies and Traps in the Age of the Cinecast (2018)The Aura of Opera Reproduced:…Opera-Film as Television: Remediation in Tony Britten's Falstaff (2017)Opera-Film as Television: Rem…Visual Media (2015)Visual MediaOpera's Screen Metamorphosis: The Survival of a Genre or a Matter of Translation? (2014)Opera's Screen Metamorphosis:…The operatic event: opera houses and opera audiences (2012)The operatic event: opera hou…Opera and the technologies of theatrical production (2012)Opera and the technologies of…Opera and modes of theatrical production (2012)Opera and modes of theatrical…Introduction: opera studies today (2012)Introduction: opera studies t…Genre and poetics (2012)Genre and poetics‘Too much music’: the media of opera (2012)‘Too much music’: the media o…Zooming In, Gazing Back: Don Giovanni on Television (2011)Zooming In, Gazing Back: Don …Situating opera: period, genre, reception (2011)Situating opera: period, genr…Interdisciplinary Opera Studies (2006)Interdisciplinary Opera Studi…‘The phantom of the Opera’: the lost voice of opera in silent film (1999)‘The phantom of the Opera’: t…Image-Music-Text (1977)Powers of Horror: An Essay on Abjection (1984)Unheard melodies: narrative film music (1988)The Body and the Voice in La Muette de Portici (2003)The queen's throat: opera, homosexuality, and the mystery of desire (1993)Culture and Imperialism. (1994)Culture and Imperialism (2017)Opera, or the Undoing of Women (1979)Beyond the soundtrack: representing music in cinema (2008)Aisthesis: Scenes from the Aesthetic Regime of Art (2013)Screen Genealogies (2019)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Nations and nationalism since 1780 programme, myth, reality (1995)Audio-vision: sound on screen (1994)The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (2008)Visual Pleasure and Narrative Cinema (1975)Narratology: introduction to the theory of narrative (1998)Liveness: performance in a mediatized culture (2008)Anatomy of Criticism: Four Essays (1959)The Dialogic Imagination: Four Essays (1981)Distinction: A Social Critique of the Judgement of Taste* (2018)Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in the Streaming Music Economy (2020)
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Cited by

  • 1999‘The phantom of the Opera’: the lost voice of opera in silent film39 cited
  • 2006Interdisciplinary Opera Studies23 cited
  • 2014Opera's Screen Metamorphosis: The Survival of a Genre or a Matter of Translation?22 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 2015Visual Media19 cited
  • 2021Opera as Hypermedium18 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2012Introduction: opera studies today11 cited
  • 2011Zooming In, Gazing Back: Don Giovanni on Television11 cited
  • 2020Finding Meaning in Intermedial Gaps9 cited
  • 2012Genre and poetics8 cited
  • 2018The Aura of Opera Reproduced: Fantasies and Traps in the Age of the Cinecast7 cited
  • 2017Opera-Film as Television: Remediation in Tony Britten's Falstaff

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7 cited