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Clowning and authorship in early modern theatre
16 references·1 citing·30 second hop
Clowning and authorship in early modern theatre (2015)Clowning and authorship in early modern t…The Elizabethan Stage (2009)The Elizabethan StageDocuments of Performance in Early Modern England (2009)Documents of Performance in E…Shakespeare in Parts (2007)Shakespeare in Parts5 Hamlet in Purgatory (2007)5 Hamlet in PurgatoryThe Semiotics of Theatre and Drama (2003)The Semiotics of Theatre and …The Marketplace of Print (1997)The Marketplace of PrintTextual intercourse: collaboration, authorship, and sexualities in Renaissance drama (1997)Textual intercourse: collabor…:Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (1989):Shakespearean Negotiations: …Playgoing in Shakespeare's London. (1988)Playgoing in Shakespeare's Lo…The Cult of Elizabeth: Elizabethan Portraiture and Pageantry (1987)The Cult of Elizabeth: Elizab…Drama of a Nation: Public Theater in Renaissance England and Spain. (1986)Drama of a Nation: Public The…The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1985)The Printing Press as an Agen…Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and His Contemporaries (1985)Radical Tragedy: Religion, Id…Literacy and the Social Order. Reading and Writing in Tudor and Stuart England. (1981)Literacy and the Social Order…For a Critique of the Political Economy of the Sign (1980)For a Critique of the Politic…The Fool: His Social and Literary History (1966)The Fool: His Social and Lite…Editing for Performance or Documenting Performance?: Exploring the Relationship Between Early Modern Text and Clowning (2016)Editing for Performance or Do…The Presentation of Self in Everyday Life. (1956)Speech Acts: An Essay in the Philosophy of Language (1969)How To Do Things With Words (1975)Fifth-century tragedy and Comedy: Asynkrisis (1986)The competence of theatre audiences in fifth- and fourth-century Athens (2006)Brand Performances in Social Media (2012)On the Methods of Long-Distance Control: Vessels, Navigation and the Portuguese Route to India (1984)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)The Book of Memory (2008)The Cambridge History of the Book in Britain (2002)The Identity of ‘Anthony Rivers’ (2002)The Shakespearean Stage 1574–1642 (2009)The New Sociology of Knowledge (1994)Literature, Nationalism, and Memory in Early Modern England and Wales (2004)Methodology of the Oppressed (2010)Literature and London (2003)The Cambridge Introduction to Theatre Studies (2008)Medieval and Early Modern Authorship (2011)Early Modern Playhouse Manuscripts and the Editing of Shakespeare (2012)Organizational Resilience of Higher Education Institutions: An Empirical Study during Covid-19 Pandemic (2022)Rhetoric and Courtliness in Early Modern Literature (2003)Rethinking the Public Sphere in Early Modern England (2006)Chapter 4 From Stagnation to Growth: Unified Growth Theory (2005)Das Human-Kapital: A Theory of the Demise of the Class Structure (2006)British Economic Growth, 1270–1870 (2014)Postmodernism and the Social Sciences (1992)Liberatory Postmodernism and the Reenchantment of Consumption (1995)CURRENT RESEARCH IN SOCIAL PSYCHOLOGY (1996)The Renaissance of lesbianism in early modern England (2003)Bound to Read: Compilations, Collections, and the Making of Renaissance Literature (2013)
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References

  • 1980For a Critique of the Political Economy of the Sign2,111 cited
  • 2003The Semiotics of Theatre and Drama802 cited
  • 1985The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe687 cited
  • 1989:Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England504 cited
  • 1988Playgoing in Shakespeare's London.461 cited
  • 1997Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama460 cited
  • 2009Documents of Performance in Early Modern England456 cited
  • 1981Literacy and the Social Order. Reading and Writing in Tudor and Stuart England.334 cited
  • 2009The Elizabethan Stage303 cited
  • 1997The Marketplace of Print275 cited
  • 1966The Fool: His Social and Literary History268 cited
  • 1986Drama of a Nation: Public Theater in Renaissance England and Spain.250 cited
  • 1985Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and His Contemporaries249 cited
  • 2007Shakespeare in Parts248 cited
  • 20075 Hamlet in Purgatory228 cited
  • 1987The Cult of Elizabeth: Elizabethan Portraiture and Pageantry

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221 cited

Cited by

  • 2016Editing for Performance or Documenting Performance?: Exploring the Relationship Between Early Modern Text and Clowning3 cited