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The String Quartets of Joseph Haydn
16 references·6 citing·24 second hop
The String Quartets of Joseph Haydn (2006)The String Quartets of Joseph HaydnThe Classical Cadence: Conceptions and Misconceptions (2004)The Classical Cadence: Concep…Beyond the Sonata Principle (2002)Beyond the Sonata PrincipleThe New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Medial Caesura and Its Ro…The classical style: Haydn, Mozart, Beethoven (1997)The classical style: Haydn, M…Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Musical meaning in Beethoven:…Concert life in London from Mozart to Haydn (1994)Concert life in London from M…Haydn and the classical variation (1993)Haydn and the classical varia…Playing with Signs (1991)Playing with SignsPhrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicHaydn's 'Farewell' Symphony and the Idea of Classical Style (1991)Haydn's 'Farewell' Symphony a…Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni (1983)Rhythmic Gesture in Mozart: L…A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries (1983)A History of Key Characterist…Texture as a Sign in Classic and Early Romantic Music (1982)Texture as a Sign in Classic …Explaining Music (1973)Explaining MusicThe Rhythmic Structure of Music (1961)The Rhythmic Structure of Mus…A ‘Humorous’ Narrative Archetype in the Music of the Viennese Classics as a Subversive Device (2022)A ‘Humorous’ Narrative Archet…The Cambridge Haydn Encyclopedia (2019)The Cambridge Haydn Encyclope…Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends (2019)Instrumental Music in an Age …Haydn's Solar Poetics (2013)Haydn's Solar PoeticsJoseph Haydn’s “witty” play on Hepokoski and Darcy’s Elements of Sonata Theory. James Hepokoski/Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, New York: Oxford University Press 2006. (2011)Joseph Haydn’s “witty” play o…Instrumental Arias or Sonic Tableaux: 'Voice' in Haydn's String Quartets Opp. 9 and 17 (2008)Instrumental Arias or Sonic T…Classic Music: Expression, Form, and Style (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical Form (1998)Music as Discourse (2008)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Harmony in Haydn and Mozart (2012)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Cadential processes: The evaded cadence and the “one more time” technique (1992)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Switchings under uncertainty: The coming and becoming of meanings (2010)Theorizing Sound Writing (2017)An Overview of Hierarchical Structure in Music (1983)Cognitive constraints on compositional systems (1992)A Cognitive Theory of Musical Meaning (2000)Theorizing Musical Meaning (2001)The Characteristic Symphony in the Age of Haydn and Beethoven (2002)Hugo Riemann and the Birth of Modern Musical Thought (2003)Metaphor and music (2008)Action and Agency Revisited (2013)The End(s) of Genre (2013)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1991Phrase Rhythm in Tonal Music479 cited
  • 1997The classical style: Haydn, Mozart, Beethoven428 cited
  • 1991Playing with Signs386 cited
  • 1994Musical meaning in Beethoven: markedness, correlation, and interpretation350 cited
  • 1973Explaining Music308 cited
  • 2004The Classical Cadence: Conceptions and Misconceptions299 cited
  • 1983Rhythmic Gesture in Mozart: Le Nozze di Figaro and Don Giovanni299 cited
  • 1991Haydn's 'Farewell' Symphony and the Idea of Classical Style238 cited
  • 1983A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries190 cited
  • 1997The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition162 cited
  • 1994Concert life in London from Mozart to Haydn158 cited
  • 1961The Rhythmic Structure of Music144 cited
  • 2002Beyond the Sonata Principle135 cited
  • 1993Haydn and the classical variation134 cited
  • 1982Texture as a Sign in Classic and Early Romantic Music132 cited

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Cited by

  • 2019Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends53 cited
  • 2008Instrumental Arias or Sonic Tableaux: 'Voice' in Haydn's String Quartets Opp. 9 and 1739 cited
  • 2019The Cambridge Haydn Encyclopedia18 cited
  • 2013Haydn's Solar Poetics17 cited
  • 2011Joseph Haydn’s “witty” play on Hepokoski and Darcy’s Elements of Sonata Theory. James Hepokoski/Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, New York: Oxford University Press 2006.6 cited
  • 2022A ‘Humorous’ Narrative Archetype in the Music of the Viennese Classics as a Subversive Device5 cited