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The new Latin American cinema: a continental project
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The new Latin American cinema: a continental project (1994)The new Latin American cinema: a continen…The Cultural Practice of Immigrant Filmmaking (2019)The Cultural Practice of Immi…Militant Third World Film Distribution in the United States, 1970-1980 (2015)Militant Third World Film Dis…Screening neoliberalism: transforming Mexican cinema, 1988-2012 (2014)Screening neoliberalism: tran…Post-revolution nonfiction film: building the Soviet and Cuban nations (2014)Post-revolution nonfiction fi…Political documentary cinema in Latin America (2013)Political documentary cinema …Even the Rain : A Confluence of Cinematic and Historical Temporalities (2012)Even the Rain : A Confluence …After New Latin American Cinema (2012)After New Latin American Cine…Lucrecia Martel’s La mujer sin cabeza : Cinematic Free Indirect Discourse, Noise-scape and the Distraction of the Middle Class (2010)Lucrecia Martel’s La mujer si…Sarita and the Revolution: Race and Cuban Cinema (2007)Sarita and the Revolution: Ra…The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity inLa última cenaandChico Rei (2006)The Slave as National Symbol …Manifesting La Historia : Systems of 'Development' and the New Latin American Cinema Manifesto (2004)Manifesting La Historia : Sys…Imperfect media : the poetics of indigenous media in Chile (2004)Imperfect media : the poetics…Developing History/Historicizing Development in Mexican Nuevo Cine Manifestoes around "la Crisis" (2004)Developing History/Historiciz…Facundo. Civilizacion y Barbarie (1962)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Postmodernism, or, The cultural logic of late capitalism (1991)Introduction to documentary (2002)Staging Politics and Activism in the Kirchner Era: Documentary and Fiction inEl estudiante (2014)Contemporary Latin American Cinema (2018)The gay science;: With a prelude in rhymes and an appendix of songs (1974)Simulacra and Simulation (1995)The Practice of Conceptual History: Timing History, Spacing Concepts (2002)On Unthinking Eurocentrism: Multiculturalism and the Media (1995)Unthinking Eurocentrism: Multiculturalism and the Media (1996)A Nation for All: Race, Inequality, and Politics in Twentieth-Century Cuba (2002)The Social documentary in Latin America (1991)The “New Latin American Cinema” (2010)The Revolution Will Not Be Televised (2015)Women and Film Both Sides of the Camera (1983)Castro, The Blacks, and Africa (1993)Sugar's secrets: race and the erotics of Cuban nationalism (1994)Cinema and Social Change in Latin America: Conversations with Filmmakers (1987)Newsreel: Old and New. Towards An Historical Profile (1987)Silencing the past: Power and the Production of History (1996)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)66. Civil Society and Political Theory (2016)Televisa Born and Raised: Lucerito’s Stardom in 1980s Mexican Media (2016)Neoliberal theory and film studies (2019)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Modernity at Large: Cultural Dimensions of Globalization. (1998)Estéticas enraizadas: aproximaciones al video indígena en América Latina (2012)Charting a Theoretical Framework for Examining Indigenous Journalism Culture (2013)Variações sobre o documentário de Vincent Carelli - (Des)fazendo o novelo (2019)Labor and Monopoly Capital: The Degradation of Work in the Twentieth Century. (1976)The Language of New Media (2002)Principles of Scientific Management, The (2015)Soviet Cinematic Internationalism and Socialist Film Making, 1955–1972 (2016)Introduction: radical documentary today (2019)The cinema of make-believe: Rural viewers’ early reception of film propaganda in socialist China (2022)
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Cited by

  • 2004Imperfect media : the poetics of indigenous media in Chile37 cited
  • 2014Screening neoliberalism: transforming Mexican cinema, 1988-201233 cited
  • 2015Militant Third World Film Distribution in the United States, 1970-198027 cited
  • 2014Post-revolution nonfiction film: building the Soviet and Cuban nations24 cited
  • 2012After New Latin American Cinema16 cited
  • 2007Sarita and the Revolution: Race and Cuban Cinema11 cited
  • 2006The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity inLa última cenaandChico Rei7 cited
  • 2012Even the Rain : A Confluence of Cinematic and Historical Temporalities6 cited
  • 2013Political documentary cinema in Latin America6 cited
  • 2010Lucrecia Martel’s La mujer sin cabeza : Cinematic Free Indirect Discourse, Noise-scape and the Distraction of the Middle Class6 cited
  • 2004Manifesting La Historia : Systems of 'Development' and the New Latin American Cinema Manifesto6 cited
  • 2019The Cultural Practice of Immigrant Filmmaking5 cited
  • 2004Developing History/Historicizing Development in Mexican Nuevo Cine Manifestoes around "la Crisis"5 cited

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