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Cited by

• 1992Sinfonia anti-eroica: Berlioz's Harold en Italie and the Anxiety of Beethoven's Influence33 cited
• 1988Mahler's "Todtenfeier" and the Problem of Program Music29 cited
• 1997"Volksconcerte" in Vienna and Late Nineteenth-Century Ideology of the Symphony21 cited
• 2018Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony10 cited
• 1986Mahler's tonal strategies: A study of the song cycles†7 cited
• 2021Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony6 cited
• 2011Gustav Mahler's Second Century: Achievements in Scholarship and Challenges for Research4 cited
• 2015Mahler's Early Summer Journeys through Vienna, or What Anthropomorphized Nature Tells Us4 cited
• 2015Schoenberg and redemption3 cited
• 2016Gustav Mahler’s Correspondence: Assessing the Composer’s Published Letters2 cited
• 2017Mahler's Bruckner, between Devotion and Misprision2 cited