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Charms that Soothe: Classical Music and the Narrative Film
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Cited by

  • 2021The Oxford Handbook of Cinematic Listening52 cited
  • 2016Materializing Film Music26 cited
  • 2008The polyphonic film14 cited
  • 2014Can Music “Mirror” God? A Theological-Hermeneutical Exploration of Music in the Light of Arvo Pärt’s Spiegel im Spiegel11 cited
  • 2013Arvo Pärt’s Tintinnabuli Music in Film10 cited
  • 2012It’s a sin […] using Ludwig van like that. He did no harm to anyone, Beethoven just wrote music’: The Role of the Incongruent Soundtrack in the Representation of the Cinematic Criminal7 cited
  • 2015Musique concrète, French New Wave cinema, and Jean Cocteau'sLe Testament d'Orphée(1960)6 cited
  • 2016The Composer and the Studio3 cited
  • 2016Film-Music Theory3 cited
  • 2021Art Music, Perfection and Power: Critical Encounters with Classical Music Culture in Contemporary Cinema3 cited
  • 2010Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as “Overscore”3 cited
  • 2025Classical Music in British Children’s Television: Narrative, Communication, and Cultural Meaning2 cited

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