Unsettling Scores: German Film, Music, and Ideology

Roger Hillman

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Cinema History and Criticism Musicology and Musical Analysis Music History and Culture

Abstract

Establishing a tonal center Music as cultural marker in German film History on the soundtrack: The example of Beethoven's Ninth A Wagnerian German Requiem: Syberberg's Hitler (1977) Alexander Kluge's Songs without Words: Die Patriotin (1979) Fassbinder's compromised request concert: Lili Marleen (1980) The great eclecticism of the filmmaker Werner Herzog Pivot Chords: Austrian music and Visconti's Senso (1954) Conclusion: Film music and cultural memory

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