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Unsettling Scores: German Film, Music, and Ideology
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Unsettling Scores: German Film, Music, and Ideology (2005)Unsettling Scores: German Film, Music, an…Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film (2015)Aesthetic Technologies of Mod…The Sound of Fatih Akın’s Cinema: Polyphony and the Aesthetics of Heterogeneity in The Edge of Heaven (2014)The Sound of Fatih Akın’s Cin…Passing Through: Queer Lesbian Film andFremde Haut (2012)Passing Through: Queer Lesbia…Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as “Overscore” (2010)Plundering Cultural Archives …The Train Journey : Transit, Captivity, and Witnessing in the Holocaust (2009)The Train Journey : Transit, …Introduction: Screened Music, Trans-contextualisation and Ethnomusicological Approaches (2009)Introduction: Screened Music,…An Accented Cinema : Exilic and Diasporic Filmmaking (2001)Beyond the soundtrack: representing music in cinema (2008)Beyond the Mother Tongue: The Postmonolingual Condition (2011)On Ethnographic Authority (1983)Club cultures: music, media and subcultural capital (1996)Growing Up Digital: The Rise of the Net Generation (1997)Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation (2010)Vidéochoréomorphose : danses et vidéo-clips au Mali (2018)Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema (2019)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Disidentifications: Queers Of Color And The Performance Of Politics (1999)Bodies That Matter (2011)Purity and Danger: An Analysis of Concepts of Pollution and Taboo. (1967)Keywords: A Vocabulary of Culture and Society (1977)Mimesis and alterity: a particular history of the senses (1993)Song as Paraphrase (2015)Eichmann in Jerusalem. A Report on the Banality of Evil (1965)The Interpretation of Cultures (1974)Homo sacer: sovereign power and bare life (1999)Third-Generation Holocaust Representation : Trauma, History, and Memory (2017)‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects? (2019)The Melodramatic Imagination (1984)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. (1985)Nineteenth-century music (1989)
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  • 2009The Train Journey : Transit, Captivity, and Witnessing in the Holocaust47 cited
  • 2009Introduction: Screened Music, Trans-contextualisation and Ethnomusicological Approaches10 cited
  • 2014The Sound of Fatih Akın’s Cinema: Polyphony and the Aesthetics of Heterogeneity in The Edge of Heaven10 cited
  • 2015Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film7 cited
  • 2012Passing Through: Queer Lesbian Film andFremde Haut7 cited
  • 2010Plundering Cultural Archives and Transcending Diegetics: Mahler’s Music as “Overscore”3 cited

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