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An Investigation of the Motives for and Realization of Music to Accompany the American Silent Film, 1896-1927
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  • 1981On the contributions of music to media productions34 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001The Girl and the Phonograph; or the Vamp and the Machine Revisited31 cited
  • 2018Zur Rekonstruktion von Stummfilm-Musik: Quellen, Probleme, Möglichkeiten23 cited
  • 1987Music, television, and video: Historical and aesthetic considerations19 cited
  • 1990The Most Romantic Art of All: Music in the Classical Hollywood Cinema18 cited
  • 2012Southern Fried Foster: Representing Race and Place through Music in Looney Tunes Cartoons17 cited
  • 2001Cinema and Popular Song16 cited
  • 2001Music as Ethnic Marker in Film9 cited
  • 2001Picturizing American Cinema9 cited
  • 2008American Valkyries: Richard Wagner, D. W. Griffith, and the Birth of Classical Cinema7 cited
  • 2011De l’« opéra de l’oeil » aux « films à sensation » : musique et théâtralité aux sources de l’horreur cinématographique6 cited
  • 2001Crossing Musical Borders5 cited
  • 2001Surreal Symphonies4 cited
  • 2011Interactive Audiovisual Mapping: BTEX Emissions from NPRI Reporting Facilities in Montreal

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4 cited
  • 2012Toward interactive audiovisual cartography : motivations, design strategies, and methods4 cited