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The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music
0 references·13 citing·32 second hop
The Flower of Paradise: Marian Devotion and Secular Song in Medieval and Renaissance Music (2011)The Flower of Paradise: Marian Devotion a…Renaissance Polyphony (2020)Renaissance PolyphonyThe Cambridge History of Sixteenth-Century Music (2019)The Cambridge History of Sixt…Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment (2019)Songs of Nature in Medieval N…Music in the Early Colonial World (2019)Music in the Early Colonial W…GENRE, ATTRIBUTION AND AUTHORSHIP IN THE THIRTEENTH CENTURY: ROBERT DE REIMS VS ‘ROBERT DE RAINS’ (2019)GENRE, ATTRIBUTION AND AUTHOR…Polyphony in medieval Paris the art of composing with plainchant (2018)Polyphony in medieval Paris t…Rape and Repentance in Two Medieval Motets (2017)Rape and Repentance in Two Me…THE TWENTY-FIVE JOYS OF OUR LADY AN ENGLISH MARIAN ROSARY OF THE FIFTEENTH CENTURY FROM BODLEIAN LIBRARY MS DON. D. 85 (2016)THE TWENTY-FIVE JOYS OF OUR L…The Exegetical Motet (2015)The Exegetical Motet“In the Church and in the Chapel” (2014)“In the Church and in the Cha…The One Who Comes After Me (2013)The One Who Comes After MeCONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT (2013)CONTRAFACTA AND TRANSCRIBED M…“God may open more than man maye vnderstande”: Lady Margaret Beaufort’s Translation of the De Imitatione Christi (2013)“God may open more than man m…Discarding images: reflections on music and culture in medieval France (1994)Hearing the motet: essays on the motet of the Middle Ages and Renaissance (1997)The Sense of SoundMusical Meaning in France, 1260-1330 (2012)The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century (2016)Luther's works (1955)A history of reading in the West (1999)The Book: A History of the Bible (2001)Voci pari Motets and Convent Polyphony in the 1540s: The materna lingua Complex (2017)Musical Authorship from Schütz to Bach (2019)The Power of Images: Studies in the History and Theory of Response (1991)Ritual in Early Modern Europe (1999)The Crisis of Music in Early Modern Europe, 1470-1530 (2005)Crime and Conflict in English Communities, 1300-1348 (1980)Law, Sex, and Christian Society in Medieval Europe (1989)Music and ceremony at Notre Dame of Paris, 500-1550 (1990)Toward an Aesthetic of Reception. (1982)Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women (1989)W. de Wicumbe's Rolls and Singing the Alleluya ca. 1250 (2020)Fauvel and Marigny: Which Came First? (2023)The Fourteenth-Century Italian Motet (2023)The Mediterranean and the Mediterranean World in the Age of Philip II (1974)Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking (2003)EU 7 FP project Governing urban divercity: Creating social cohesion, social mobility and economic performance in today’s hyper-diversified cities (DIVERCITIES) – The case of Warsaw (2017)Traces on the Rhodian Shore (1967)Subjectivity in Troubadour Poetry (1990)What is nature?: culture, politics and the non-human (1996)Palimpsestes. La litterature au second degre (1983)Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut (2002)The Civilization of the Renaissance in Italy (1946)The imaginary museum of musical works: an essay in the philosophy of music (1993)Musicking: the meanings of performing and listening (1999)Encounters with Music in Rudolf II's Prague (2021)
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  • 2018Polyphony in medieval Paris the art of composing with plainchant68 cited
  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 2013CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT45 cited
  • 2015The Exegetical Motet35 cited
  • 2014“In the Church and in the Chapel”28 cited
  • 2019Music in the Early Colonial World24 cited
  • 2020Renaissance Polyphony23 cited
  • 2017Rape and Repentance in Two Medieval Motets22 cited
  • 2019Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment19 cited
  • 2019GENRE, ATTRIBUTION AND AUTHORSHIP IN THE THIRTEENTH CENTURY: ROBERT DE REIMS VS ‘ROBERT DE RAINS’19 cited
  • 2016THE TWENTY-FIVE JOYS OF OUR LADY AN ENGLISH MARIAN ROSARY OF THE FIFTEENTH CENTURY FROM BODLEIAN LIBRARY MS DON. D. 8515 cited
  • 2013“God may open more than man maye vnderstande”: Lady Margaret Beaufort’s Translation of the De Imitatione Christi10 cited
  • 2013The One Who Comes After Me6 cited

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