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Cited by

• 2010Close but not Deep: Literary Ethics and the Descriptive Turn524 cited
• 2004:Shakespeare and the Force of Modern Performance96 cited
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• 2003Virgilian Models of Colonization in Shakespeare's Tempest47 cited
• 2009Making Shakespeare’s Books: Assembly and Intertextuality in the Archives37 cited
• 2004"Unkind Division": The Double Absence of Performing History in 1 Henry VI36 cited
• 2002Scaffolds of Treason in Macbeth29 cited
• 2010Shakespeare's Richard II, "Popularity," and the Early Modern Public Sphere27 cited
• 2011Supernatural Environments in Shakespeare's England: Spaces of Demonism, Divinity, and Drama25 cited
• 2017Shaping the Archive in Late Medieval England: History, Poetry, and Performance24 cited
• 2004Book History, Sexy Knowledge, and the Challenge of the New Boredom24 cited
• 2002Shakespeare and the Publication of His Plays23 cited
• 2005Shakespeare Studies, 2005: A Situated Overview23 cited
• 2007The Cambridge Introduction to Shakespeare22 cited
• 2007Theatrical Temporality and Historical Consciousness in The Famous Victories of Henry V