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A chronicle history of the London stage, 1559-1642
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  • 2009Dame Usury: Gender, Credit, and (Ac)counting in the Sonnets and The Merchant of Venice33 cited
  • 2004Reconsidering The Seven Deadly Sins32 cited
  • 2014The poetics and politics of youth in Milton's England30 cited
  • 2014‘A ruinous monastery’:29 cited
  • 2013A Jacobean Company and Its Playhouse: The Queen's Servants at the Red Bull Theatre (C.1605-1619)28 cited
  • 1994Redeeming beggary/buggery in Michaelmas Term24 cited
  • 2011Lost Plays from Early Modern England: Voyage Drama, A Case Study17 cited
  • 1996Household Property/Stage Property: Henslowe as Pawnbroker15 cited
  • 2018Men in The Making: Youth, the Repertory, and The "Children" Of the Queen'S Revels, 1609–1313 cited
  • 2008Repertory studies: A survey13 cited
  • 2008Elizabethan Play-Boys in the Adult London Companies12 cited
  • 2005The Geography of Henslowe's Diary9 cited
  • 2003Elizabeth I's "picture in little": Boy Company Representations of a Queen's Authority9 cited
  • 2012Coming of Age on Stage: Jonson’s Epicoene and the Politics of Childhood in Early Stuart England5 cited
  • 2008Patient Grissil and Jonsonian Satire

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3 cited
  • 2010Issues in review: Dramatists, playing companies, and repertories: Introduction3 cited