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Dancing across borders : danzas y bailes Mexicanos
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Dancing across borders : danzas y bailes Mexicanos (2009)Dancing across borders : danzas y bailes …Mariachi in the Twenty-First Century (2024)Mariachi in the Twenty-First …“Al Sonido del Huehuetl”: Situating Danza Azteca as Family Translingual Prayer and Civic Engagement (2024)“Al Sonido del Huehuetl”: Sit…Solidarities of the Marginalized as Anti-racist Dance Pedagogy: Reflections on Collaborative Advocacy from Dance Educators with Connective Marginalities (2022)Solidarities of the Marginali…Archiving Mexican folklórico costumes: applying a participatory approach and a post-custodial strategy (2022)Archiving Mexican folklórico …Mexican‐heritage Children’s Learning of Ballet Folklórico: Herencia, Familia, y Orgullo (2021)Mexican‐heritage Children’s L…Re-Membering, Re-Framing, and Re-Imagining Latino Leadership in Education: Reflections on Community, Higher Learning, and Higher Education (2019)Re-Membering, Re-Framing, and…Típico, folklóricoorpopular? Musical categories, place, and identity in a transnational listening community (2011)Típico, folklóricoorpopular? …Midnight at the Barrelhouse: Why Ethnomusicology Matters Now (2011)Midnight at the Barrelhouse: …Culturas híbridas: estrategias para entrar y salir de la modernidad (1989)Globalization and Culture (1998)Globalization and Culture (2009)How did popular music come to mean música popular? (2012)Activism, Authority, and Aesthetics: Finding the Popular in Academies of Música Popular (2015)Musical attributes, cultural dimensions, social media: Insights for marketing music to consumers (2024)Cultural Complexity: Studies in the Social Organization of Meaning. (1993)Playing in the Dark: Whiteness and the Literary Imagination. (1993)The Cultural Front: The Laboring of American Culture in the Twentieth Century (1997)Black and Latino Hip Hop Alliances in the Age of State-sponsored Immigration Reform (2013)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Whose culture has capital? A critical race theory discussion of community cultural wealth (2005)Borderlands/La Frontera: The New Mestiza (2017)Situated Learning (1991)Funds of knowledge for teaching: Using a qualitative approach to connect homes and classrooms (1992)La mariposita ¿La recuerda?: the affective and moral dimensions of professional vision in learning to play the violin (2023)A systematic comparison of intercultural and indigenous cultural dance education from a global perspective (2010–2024) (2024)The Archive and the Repertoire (2003)Collecting the easily missed stories: digital participatory microhistory and the South Asian American Digital Archive (2014)Costume in Performance (2017)Decolonizing Methodologies: Research and Indigenous Peoples (2000)Handbook of qualitative research (2000)Education for Critical Consciousness (2021)Handbook of research on teaching (1986)Translanguaging (2013)The Coding Manual for Qualitative Researchers (2022)Playful Translingual Assemblages in a Community Language Mapping Workshop (2025)Participant Observation (1989)Do Museums Still Need Objects? (2010)The Oxford Handbook of Qualitative Research (2020)Elliott Carter's String Quartet No. 1 (2024)Rhythm and Heritage in Modern Flamenco Guitar (2025)
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Cited by

  • 2021Mexican‐heritage Children’s Learning of Ballet Folklórico: Herencia, Familia, y Orgullo29 cited
  • 2011Típico, folklóricoorpopular? Musical categories, place, and identity in a transnational listening community10 cited
  • 2019Re-Membering, Re-Framing, and Re-Imagining Latino Leadership in Education: Reflections on Community, Higher Learning, and Higher Education8 cited
  • 2024Mariachi in the Twenty-First Century6 cited
  • 2011Midnight at the Barrelhouse: Why Ethnomusicology Matters Now6 cited
  • 2022Solidarities of the Marginalized as Anti-racist Dance Pedagogy: Reflections on Collaborative Advocacy from Dance Educators with Connective Marginalities6 cited
  • 2024“Al Sonido del Huehuetl”: Situating Danza Azteca as Family Translingual Prayer and Civic Engagement4 cited
  • 2022Archiving Mexican folklórico costumes: applying a participatory approach and a post-custodial strategy2 cited

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