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Imaging Difference: The Politics of Representation in Multicultural Art Education
13 references·16 citing·35 second hop
Imaging Difference: The Politics of Representation in Multicultural Art Education (2000)Imaging Difference: The Politics of Repre…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Teaching positions: difference, pedagogy, and the power of address (1998)Teaching positions: differenc…Cannibal culture: art, appropriation, and the commodification of difference (1996)Cannibal culture: art, approp…What Became Authentic Primitive Art? (1994)What Became Authentic Primiti…Bad Aboriginal Art: Tradition, Media, and Technological Horizons (1994)Bad Aboriginal Art: Tradition…African art in transit (1994)African art in transitCrosscurrents, crosstalk: Race, ‘Postcoloniality’ and the politics of location (1993)Crosscurrents, crosstalk: Rac…The Problem of Speaking for Others (1991)The Problem of Speaking for O…Multiple Mediations: Feminist Scholarship in the Age of Multinational Reception (1990)Multiple Mediations: Feminist…The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. (1989)The Predicament of Culture: T…Why Public Culture? (1988)Why Public Culture?The Predicament of Culture (1988)The Predicament of CultureIntroduction: Partial Truths (1986)Introduction: Partial TruthsAI’s Regimes of Representation: A Community-centered Study of Text-to-Image Models in South Asia (2023)AI’s Regimes of Representatio…White Lies: Unraveling Whiteness in the Elementary Art Curriculum (2019)White Lies: Unraveling Whiten…Hip Hop Pedagogy as Culturally Sustaining Pedagogy (2018)Hip Hop Pedagogy as Culturall…A/r/tography Around the World (2017)A/r/tography Around the WorldTroubling Sociocultural Narrative Pedagogy: Implications for Art Educators (2016)Troubling Sociocultural Narra…‘Being’ a critical multicultural pedagogue in the art education classroom (2016)‘Being’ a critical multicultu…Re-Presenting Slavery: Underserved Questions in Museum Collections (2014)Re-Presenting Slavery: Unders…Curating Inequality: The Link between Cultural Reproduction and Race in the Visual Arts (2014)Curating Inequality: The Link…(Re)Constructing Cultural Conceptions and Practices in Art Education: An Action Research Study (2014)(Re)Constructing Cultural Con…Theoretical Considerations for Art Education Research with and about “Underserved Populations” (2013)Theoretical Considerations fo…Key Dimensions of a Multicultural Art Education Curriculum (2013)Key Dimensions of a Multicult…Agents of Possibility: Examining the Intersections of Art, Education, and Activism in Communities (2011)Agents of Possibility: Examin…The Challenge of New Colorblind Racism in Art Education (2010)The Challenge of New Colorbli…Originals and Reproductions: The Influence of Presentation Format in Adolescents' Responses to a Renaissance Painting (2007)Originals and Reproductions: …Personal and Cultural Narrative as Inspiration: A Painting and Pedagogical Collaboration with Mayan Artists (2006)Personal and Cultural Narrati…Students Online as Cultured Subjects: Prolegomena to Researching Multicultural Arts Courses on the Web (2004)Students Online as Cultured S…Theory in Anthropology since the Sixties (1984)Imagined Communities. 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this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1988The Predicament of Culture5,526 cited
  • 1986Introduction: Partial Truths2,200 cited
  • 1991The Problem of Speaking for Others2,190 cited
  • 1989The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art.1,200 cited
  • 1998Teaching positions: difference, pedagogy, and the power of address686 cited
  • 1993Crosscurrents, crosstalk: Race, ‘Postcoloniality’ and the politics of location407 cited
  • 1988Why Public Culture?354 cited
  • 1990Multiple Mediations: Feminist Scholarship in the Age of Multinational Reception307 cited
  • 1994Bad Aboriginal Art: Tradition, Media, and Technological Horizons266 cited
  • 1994African art in transit168 cited
  • 1996Cannibal culture: art, appropriation, and the commodification of difference151 cited
  • 1994What Became Authentic Primitive Art?96 cited

Cited by

  • 2023AI’s Regimes of Representation: A Community-centered Study of Text-to-Image Models in South Asia84 cited
  • 2013Theoretical Considerations for Art Education Research with and about “Underserved Populations”65 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2011Agents of Possibility: Examining the Intersections of Art, Education, and Activism in Communities62 cited
  • 2016‘Being’ a critical multicultural pedagogue in the art education classroom56 cited
  • 2010The Challenge of New Colorblind Racism in Art Education53 cited
  • 2014Curating Inequality: The Link between Cultural Reproduction and Race in the Visual Arts22 cited
  • 2014(Re)Constructing Cultural Conceptions and Practices in Art Education: An Action Research Study18 cited
  • 2006Personal and Cultural Narrative as Inspiration: A Painting and Pedagogical Collaboration with Mayan Artists18 cited
  • 2013Key Dimensions of a Multicultural Art Education Curriculum17 cited
  • 2019White Lies: Unraveling Whiteness in the Elementary Art Curriculum14 cited
  • 2004Students Online as Cultured Subjects: Prolegomena to Researching Multicultural Arts Courses on the Web13 cited
  • 2018Hip Hop Pedagogy as Culturally Sustaining Pedagogy11 cited
  • 2014Re-Presenting Slavery: Underserved Questions in Museum Collections10 cited
  • 2017A/r/tography Around the World10 cited
  • 2016Troubling Sociocultural Narrative Pedagogy: Implications for Art Educators9 cited
  • 2007Originals and Reproductions: The Influence of Presentation Format in Adolescents' Responses to a Renaissance Painting9 cited