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Fasten Your Seatbelts and Prick Up Your Ears: The Dramatic Human Voice in Film
9 references·1 citing·28 second hop
Fasten Your Seatbelts and Prick Up Your Ears: The Dramatic Human Voice in Film (2006)Fasten Your Seatbelts and Prick Up Your E…Into the Vortex: Female Voice and Paradox in Film (2006)Into the Vortex: Female Voice…The Dolby Era: Film Sound in Contemporary Hollywood (2004)The Dolby Era: Film Sound in …Overhearing film dialogue (2000)Overhearing film dialogueThe voice in cinema (1999)The voice in cinemaSound-On-Film: Interviews with Creators of Film Sound (1994)Sound-On-Film: Interviews wit…The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)The Acoustic Mirror: The Fema…Film sound: Theory and practice (1985)Film sound: Theory and practi…The Voice in the Cinema: The Articulation of Body and Space (1980)The Voice in the Cinema: The …Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…What “The Bechdel Test” doesn’t tell us: examining women’s verbal and vocal (dis)empowerment in cinema (2016)What “The Bechdel Test” doesn…The Acoustic Mirror (1988)The acoustic mirror: the female voice in psychoanalysis and cinema (1989)Matrilineality and the portrayal of women in Meghalaya cinema (2022)Gender bias in video game dialogue (2023)Women's Film and Female Experience, 1940-1950 (1985)The Unruly Woman: Gender and the Genres of Laughter (1995)Playing Mozart : Biopics and the musical (re)invention of a composer (2009)Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930–1950 (2015)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Audio-vision: sound on screen (1994)Critical pedagogy and predatory culture (1994)Anthropology and Voice (2014)Image/Music/Voice: Song Dubbing in Hollywood Musicals (1995)Sound matters: Notes toward the analysis and design of sound in multimodal webtexts (2006)Film, Performance, and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring (2018)Perceptual judgement of the relationship between musical and visual components in film. (1994)Reforming "Jackass Music": The Problematic Aesthetics of Early American Film Music Accompaniment (1997)The Sound of Intensified Continuity (2013)Texture in Film (2014)The Listening Subject of Japanese Modernity and His Auditory Double: Citing, Sighting, and Siting the Modern Japanese Woman (2003)Scale Critique for the Anthropocene (2014)Film audiences as overhearers (2007)“You talking to me?” The viewer as a ratified listener to film discourse (2011)Constructing ‘nerdiness’: Characterisation in The Big Bang Theory (2012)Interactive Audiovisual Design for Cartography (2014)The Democratic Voice (2015)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 1980The Voice in the Cinema: The Articulation of Body and Space442 cited
  • 1985Film sound: Theory and practice381 cited
  • 1999The voice in cinema246 cited
  • 2000Overhearing film dialogue160 cited
  • 2004The Dolby Era: Film Sound in Contemporary Hollywood74 cited
  • 1994Sound-On-Film: Interviews with Creators of Film Sound65 cited
  • 2006Into the Vortex: Female Voice and Paradox in Film42 cited

Cited by

  • 2016What “The Bechdel Test” doesn’t tell us: examining women’s verbal and vocal (dis)empowerment in cinema28 cited

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