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Coding OK Computer: Categorization and Characterization of Disruptive Harmonic and Rhythmic Events in Rock Music.
16 references·1 citing·34 second hop
Coding OK Computer: Categorization and Characterization of Disruptive Harmonic and Rhythmic Events in Rock Music. (2011)Coding OK Computer: Categorization and Ch…Triadic Modal and Pentatonic Patterns in Rock Music (2010)Triadic Modal and Pentatonic …The Sense of Music (2010)The Sense of MusicConstructing grounded theory : a practical guide through qualitative analysis (2006)Constructing grounded theory …Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Neo-Riemannian Theory and the…Making Sense of Rock’s Tonal Systems (2004)Making Sense of Rock’s Tonal …Analyzing Popular Music (2004)Analyzing Popular MusicWhat to listen for in rock: a stylistic analysis (2003)What to listen for in rock: a…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Syncopation in rock: a perceptual perspective (1999)Syncopation in rock: a percep…Understanding Rock: Essays in Musical Analysis (1997)Understanding Rock: Essays in…Rock: The Primary Text (1994)Rock: The Primary TextHarmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994)Harmonic Function in Chromati…Hugo Wolf's Lieder and Extensions of Tonality (1988)Hugo Wolf's Lieder and Extens…The Problem of Prolongation in Post-Tonal Music (1987)The Problem of Prolongation i…Qualitative Analysis for Social Scientists (1987)Qualitative Analysis for Soci…Alternatives to Monotonality in Early Nineteenth-Century Music (1981)Alternatives to Monotonality …Review of music literacy strand of the Oxford Music Analysis Conference (July 2023), Society for Music Analysis (2024)Review of music literacy stra…Studying Popular Music (1990)Studying Popular Music (1991)The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)Meter and Grouping in African Music: A View from Music Theory (2000)Formal Functions of Metric Dissonance in Rock Music (2014)A Platonic Model of Funky Rhythms (2016)Mind in Society: The Development of Higher Psychological Processes (1978)Metaphors We Live By (2003)Techniques to Identify Themes (2003)Qualitative Content Analysis (2008)Theory Construction in Qualitative Research (2012)The Discovery of Grounded Theory (2017)Analysing popular music: theory, method and practice (1982)Interpreting Popular Music (2000)Guitar Voicing in Pop-Rock Music (2011)Subverting the Verse–Chorus Paradigm (2013)Chromatic Transformations in Nineteenth-Century Music (2002)Dualist tonal space and transformation in nineteenth-century musical thought (2002)Hugo Riemann and the birth of modern musical thought (2004)Interpretative Phenomenological Analysis: Theory, Method and Research (2010)Using the framework method for the analysis of qualitative data in multi-disciplinary health research (2013)One size fits all? What counts as quality practice in (reflexive) thematic analysis? (2020)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Ironic Narrative, Ironic Reading (2009)Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms (2013)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Tonal Ambiguity in Popular Music’s Axis Progressions (2017)Chopin's Fourth Ballade as Musical Narrative (2004)The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes (2017)
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References

  • 2006Constructing grounded theory : a practical guide through qualitative analysis18,720 cited
  • 1987Qualitative Analysis for Social Scientists12,237 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 2010Triadic Modal and Pentatonic Patterns in Rock Music165 cited
  • 1987The Problem of Prolongation in Post-Tonal Music162 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 1999Syncopation in rock: a perceptual perspective145 cited
  • 2004Making Sense of Rock’s Tonal Systems140 cited
  • 1981Alternatives to Monotonality in Early Nineteenth-Century Music128 cited
  • 2010The Sense of Music107 cited
  • 2004Analyzing Popular Music104 cited
  • 2004Neo-Riemannian Theory and the Analysis of Pop-Rock Music94 cited
  • 2003What to listen for in rock: a stylistic analysis88 cited
  • 1994Rock: The Primary Text75 cited
  • 1988Hugo Wolf's Lieder and Extensions of Tonality62 cited
  • 1997Understanding Rock: Essays in Musical Analysis58 cited

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Cited by

  • 2024Review of music literacy strand of the Oxford Music Analysis Conference (July 2023), Society for Music Analysis2 cited