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Jerusalem's Separation Wall and Global Message Board: Graffiti, Murals and the art of Sumud
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Jerusalem's Separation Wall and Global Message Board: Graffiti, Murals and the art of Sumud (2014)Jerusalem's Separation Wall and Global Me…The everyday art of resistance: Interpreting "resistancescapes" against urban violence in Palestine (2023)The everyday art of resistanc…Resisting subjugation: Palestinian graffiti on the Israeli apartheid wall (2023)Resisting subjugation: Palest…#HereToStay: murals of resistance and civic engagement (2021)#HereToStay: murals of resist…‘To be creative is to exist’: rejecting resilience, enacting Sumud in the cultural resistance of ASHTAR theatre (2021)‘To be creative is to exist’:…The Art of Resistance in the Palestinian Struggle Against Israel (2020)The Art of Resistance in the …Palestine Is Not a Drawing Board: Defacing the Street Art on the Israeli Separation Wall (2020)Palestine Is Not a Drawing Bo…School Choice and Conflict Narratives: Representative Bureaucracy at the Street Level in East Jerusalem (2019)School Choice and Conflict Na…Murals as a tourist attraction in a post-industrial city – a case study of Łódź (Poland) (2017)Murals as a tourist attractio…Mural jako atrakcja turystyczna w mieście poprzemysłowym – przykład Łodzi (2017)Mural jako atrakcja turystycz…The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Art spaces, public space, and the link to community development (2009)Negotiated consent or zero tolerance? Responding to graffiti and street art in Melbourne (2010)Fifteen Thousand Hours: Secondary Schools and Their Effects on Children (1980)Street-Level Bureaucracy: Dilemmas of the Individual in Public Services (1981)Should Blacks Represent Blacks and Women Represent Women? A Contingent "Yes" (1999)Religion and representative bureaucracy: Does religion guide administrative discretion? (2024)Language and Symbolic Power. (1992)Hollow Land: Israel's Architecture of Occupation (2007)Selections from the prison notebooks of Antonio Gramsci (2015)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1969)The Gift: The Form and Reason for Exchange in Archaic Societies. (1992)The post-development reader (1997)Domination and the Arts of Resistance (2007)The United Nations Development Programme (2017)Violence, Peace, and Peace Research (1969)The Politics of Nonviolent Action (1974)Cultural Violence (1990)How Societies Remember (1989)Yearning: Race, Gender, and Cultural Politics (1990)8 ‘The Practice of Everyday Life’ (2009)Agency, life satisfaction, hope, potentially traumatic events, trauma symptoms, and psychological signs. A two waves study with a sample of Palestinian children living in different geographical areas (2024)Resistance Through Rituals: Youth Subcultures in Post-War Britain (1976)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (1990)In Place/Out of Place: Geography, Ideology, and Transgression (1997)Public Strategies for the Promotion of Urban Art: The Lisbon Metropolitan Area Case (2021)Street Art Participation in Increasing Investments in the City Center of Bucharest, a Paradox or Not? (2021)Urban art in Lisbon: opportunities, tensions and paradoxes (2021)
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Cited by

  • 2017Murals as a tourist attraction in a post-industrial city – a case study of Łódź (Poland)21 cited
  • 2023The everyday art of resistance: Interpreting "resistancescapes" against urban violence in Palestine21 cited
  • 2020Palestine Is Not a Drawing Board: Defacing the Street Art on the Israeli Separation Wall10 cited
  • 2020The Art of Resistance in the Palestinian Struggle Against Israel9 cited
  • 2019School Choice and Conflict Narratives: Representative Bureaucracy at the Street Level in East Jerusalem8 cited
  • 2021‘To be creative is to exist’: rejecting resilience, enacting Sumud in the cultural resistance of ASHTAR theatre8 cited
  • 2023Resisting subjugation: Palestinian graffiti on the Israeli apartheid wall6 cited
  • 2017Mural jako atrakcja turystyczna w mieście poprzemysłowym – przykład Łodzi5 cited
  • 2021#HereToStay: murals of resistance and civic engagement4 cited

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