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A framework for discussing tonality in electronic dance music
7 references·0 citing·26 second hop
A framework for discussing tonality in electronic dance music (2008)A framework for discussing tonality in el…Musicology: The Key Concepts (2004)Musicology: The Key ConceptsA Constructivist approach to the analysis of electronic music and audio art – between instruments and faktura (2003)A Constructivist approach to …Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music (2002)Pleasure Beats: Rhythm and th…The magical number seven: Still magic after all these years? (1994)The magical number seven: Sti…Analysing popular music: theory, method and practice (1982)Analysing popular music: theo…: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981): Free Composition (Der Freie…Tonality, Atonality, Pantonality; A Study of Some Trends in Twentieth Century Music (1959)Tonality, Atonality, Pantonal…Between worlds: a sourcebook of central European avant-gardes, 1910-1930 (2002)Traité des objets musicaux (2022)Language and Perception (1976)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)The C-OAR-SE procedure for scale development in marketing (2002)Democracy Defended (2003)What’s magic about magic numbers? Chunking and data compression in short-term memory (2011)Perception and Communication (2016)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Tuning of the World (1983)Music and Language (1994)Triadic Modal and Pentatonic Patterns in Rock Music (2010)A corpus analysis of rock harmony (2011)The Developing Field of Christian Congregational Music Studies (2014)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)The Origin and Well-Formedness of Tonal Pitch Structures (2006)Tonal Implications of Harmonic and Melodic Tn-Types (2009)Schoenberg and redemption (2015)An empirical study into the learning practices and enculturation of DJs, turntablists, hip hop and dance music producers (2012)Toward authentic electronic music in the curriculum: Connecting teaching to current compositional practices (2012)Sound-based Brutalism: An emergent aesthetic (2016)Cadential processes: The evaded cadence and the “one more time” technique (1992)Crossmodal correspondences between sounds and tastes (2012)Music Theory and the White Racial Frame (2020)
this work references cited by second hop

References

  • 1982Analysing popular music: theory, method and practice376 cited
  • 1994The magical number seven: Still magic after all these years?279 cited
  • 2004Musicology: The Key Concepts222 cited
  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
  • 2002Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music39 cited
  • 2003A Constructivist approach to the analysis of electronic music and audio art – between instruments and faktura19 cited
  • 1959Tonality, Atonality, Pantonality; A Study of Some Trends in Twentieth Century Music13 cited

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