SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Clean as a Whistle
10 references·1 citing·37 second hop
Clean as a Whistle (2012)Clean as a WhistleTimbre as Differentiation in Indie Music (2012)Timbre as Differentiation in …The Reinvention of Religious Music (2009)The Reinvention of Religious …Ecology without Nature (2009)Ecology without NatureThe Major Tritone Progression in Recent Hollywood Science Fiction Films (2006)The Major Tritone Progression…The Paradox of Timbre (2002)The Paradox of TimbreSchoenberg'sKlangfarbenmelodie: A Principle of Early Atonal Harmony (2002)Schoenberg'sKlangfarbenmelodi…Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Tone and Voice: A Derivation …Style and Music (1997)Style and MusicA History of Consonance and Dissonance (1989)A History of Consonance and D…Stockhausen and the Sine-Wave: The Story of an Ambiguous Relationship (1979)Stockhausen and the Sine-Wave…Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina (2020)Consonance, Dissonance, and F…Phenomenology of Perception (1982)Club cultures: music, media and subcultural capital (1996)On Female Body Experience (2005)Timbre, Genre, and Polystylism in Sonic the Hedgehog 3 (2019)What Makes It Sound ’80s? (2019)The Cultural Significance of Timbre Analysis (2020)Die Analyse der Empfindungen und das Verhaltniss des Physischen zum Psychischen. (1902)Schools of Linguistics (1980)Discourse Networks, 1800/1900 (1990)Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching (2015)Heard Utopia vs Utopian Hearing: Haas'sin vainand Political Ambivalence in New Music (2018)Klangfarbenmelodie in 1911: Timbre’s Functional Roles in Webern’s Opp. 9 and 10 (2022)The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The New Grove dictionary of music and musicians (2001)The Geometry of Musical Chords (2006)Embodying Music (2011)A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative (2012)Et exspecto resurrectionem mortuorum (1964)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Hollywood Cadences (2013)The Cambridge Companion to Film Music (2016)Chromatic Mediants and Narrative Context in Film (2018)Democracy of Objects (2011)The Cambridge Introduction to Literature and the Environment (2011)Energopower: An Introduction (2014)Stockhausen's electronic works; sketches and work‐sheets from 1952–1967 (1981)The Emergence of Timbre: Ligeti's Synthesis of Electronic and Acoustic Music in Atmosphères (2010)Learning the Studio: Sketches for Mid-Century Electronic Music (2017)An Eighteenth-Century Theory of Musical Cognition? (2018)Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)The evolution of human music in light of increased prosocial behavior: a new model (2023)Anthropology and Voice (2014)A corpus analysis of timbre semantics in orchestration treatises (2018)Voice as Action: Towards a Model for Analyzing the Dynamic Construction of Racialized Voice (2020)The leading sixth scale degree: A test of Day-O’Connell’s theory (2017)
this work references cited by second hop

References

  • 2009Ecology without Nature807 cited
  • 2001Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles366 cited
  • 2002The Paradox of Timbre133 cited
  • 1989A History of Consonance and Dissonance122 cited
  • 2006The Major Tritone Progression in Recent Hollywood Science Fiction Films66 cited
  • 2012Timbre as Differentiation in Indie Music31 cited
  • 1979Stockhausen and the Sine-Wave: The Story of an Ambiguous Relationship23 cited
  • 2002Schoenberg'sKlangfarbenmelodie: A Principle of Early Atonal Harmony20 cited
  • 1997Style and Music13 cited
  • 2009The Reinvention of Religious Music11 cited

Cited by

  • 2020Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work