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Renaissance Improvisation and Musicology
7 references·5 citing·37 second hop
Renaissance Improvisation and Musicology (2013)Renaissance Improvisation and MusicologySINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)SINGING UPON THE BOOK ACCORDI…Composing Imitative Counterpoint around a Cantus Firmus: Two Motets by Heinrich Isaac (2011)Composing Imitative Counterpo…Counterpoint pedagogy in the Renaissance (2002)Counterpoint pedagogy in the …Composers at Work: The Craft of Musical Composition 1450-1600 (1998)Composers at Work: The Craft …Composers at Work (1997)Composers at WorkFrom Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)From Maker to Composer: Impro…Music and Culture in Italy from the Middle Ages to the Baroque (1984)Music and Culture in Italy fr…Toward a “Global” History of Music Theory (2022)Toward a “Global” History of …Contrapunto Fugato: A First Step Toward Composing in the Mind (2020)Contrapunto Fugato: A First S…Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries (2015)Recent Trends in the Study of…Entextualization and the Improvised Past (2013)Entextualization and the Impr…Critical Responses to “Theorizing Improvisation (Musically)” (2013)Critical Responses to “Theori…Improvisation: Its Nature And Practice In Music (1980)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993):The Stripping of the Altars: Traditional Religion in England 1400-1580 (1994)Playing with History (2002)Playing with history: the historical approach to musical performance (2003)Virtuosity and the Musical Work (2003)The Interpretation of Music (1955)The modern invention of medieval music: scholarship, ideology, performance (2003)Medieval Music and the Art of Memory (2005)Les mots et les choses (1990)Natural Histories of Discourse. (1997)Music in the Galant Style (2007)Noise... The Political Economy of Music (1988)Noise, the Political Economy of Music (1989)The Black Atlantic: Modernity and Double Consciousness. (1997)Improvisatory Exercises as Analytical Tool (2019)The Cambridge History of Western Music Theory (2002)Music in the Early Colonial World (2019)The Cambridge History of Sixteenth-Century Music (2019)Renaissance Polyphony (2020)The New Grove Dictionary of Music and Musicians (1981)The Book of Memory: A Study of Memory in Medieval Culture (1991)The book of memory: a study of memory in medieval culture (1991)"So you want to write a canon?" An historically-informed new approach for the modern theory class (2008)“Historically Informed” Corpus Studies (2012)Thomas Campion’s “Chordal Counterpoint” and Tallis’s Famous Forty-Part Motet (2018)The origins of pervasive imitation (2015)Approaching renaissance music using Taneyev's theories of movable counterpoint (2018)Guillaume Du Fay (2019)The seventeenth-century musical ‘work’ (2005)‘High’ clefs in composition and performance (2006)Women and Music in Sixteenth-Century Ferrara (2018)Seneca and the Interpretation of "L'Incoronazione di Poppea" (1985)Politics: Theory and Practice (1998)The Monstrous New Art: Divided Forms in the Late Medieval Motet (2015)"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century (1999)Hidden Forms in Palestrina's First Book of Four-Voice Motets (2007)
this work references cited by second hop

References

  • 1996From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500296 cited
  • 1984Music and Culture in Italy from the Middle Ages to the Baroque183 cited
  • 1997Composers at Work150 cited
  • 2011SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO71 cited
  • 1998Composers at Work: The Craft of Musical Composition 1450-160069 cited
  • 2002Counterpoint pedagogy in the Renaissance40 cited
  • 2011Composing Imitative Counterpoint around a Cantus Firmus: Two Motets by Heinrich Isaac34 cited

Cited by

  • 2013Critical Responses to “Theorizing Improvisation (Musically)”9 cited
  • 2015Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries7 cited
  • 2013Entextualization and the Improvised Past4 cited
  • 2022Toward a “Global” History of Music Theory4 cited
  • 2020Contrapunto Fugato: A First Step Toward Composing in the Mind4 cited

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