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Counterpoint in Composition: The Study of Voice Leading
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Cited by

  • 2010Prolongation in the Choral Music of Benjamin Britten11 cited
  • 2002Steps to Parnassus: contrapuntal theory in 1725 precursors and successors9 cited
  • 2016Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung8 cited
  • 2008Musical Symbolism in the Operas of Debussy and Bartok8 cited
  • 2024Teaching Music Performance in Higher Education7 cited
  • 1998A Schenkerian Reading of an Excerpt from Tristan und Isolde5 cited
  • 2020“Bold and Ragged”: A Cross-Cultural Case for the Aesthetics of Melodic Angularity5 cited
  • 2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics5 cited
  • 2012After Relativism: Recent Directions in the High Analysis of Low Music3 cited
  • 2004HOW COMPOSERS COMPOSE: IN SEARCH OF THE QUESTIONS3 cited
  • 2016The Counterpoint Music of the Exile in Fulvio Tomizza’sLa ragazza di Petrovia0 cited

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