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The talkies: American cinema's transition to sound, 1926-1931
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  • 2010Soundscapes: Toward a Sounded Anthropology374 cited
  • 2006Filling Empty Seats: How Status and Organizational Hierarchies Affect Exploration Versus Exploitation in Team Design191 cited
  • 2007Mixing genres and matching people: a study in innovation and team composition in Hollywood185 cited
  • 2009“Speaking Shadows”: A History of the Voice in the Transition from Silent to Sound Film in the United States126 cited
  • 2005Is There a Field Called Sound Culture Studies? And Does It Matter?120 cited
  • 2007Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939113 cited
  • 2011New Cinema Histories71 cited
  • 2016The Cambridge Companion to Film Music43 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001The Girl and the Phonograph; or the Vamp and the Machine Revisited31 cited
  • 2005Imagining and Promoting the Small-Town Theater29 cited
  • 2002Everyday Strangeness: Robert Ripley's International Oddities as Documentary Attractions29 cited
  • 2007ETHNOGRAPHY AND EXHIBITION28 cited
  • 2014“The Realm of Serious Art”: Henry Hadley's Involvement in Early Sound Film28 cited

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  • 2016Materializing Film Music26 cited
  • 2006Mass Culture and Divided Audiences: Cinema and Social Change in Inter-War Germany26 cited