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Interpreting the Musical Past
16 references·1 citing·33 second hop
Interpreting the Musical Past (2008)Interpreting the Musical PastA General History of Music, from the Earliest Ages to the Present Period (2018)A General History of Music, f…Virtuosity and the Musical Work (2003)Virtuosity and the Musical Wo…The modern invention of medieval music: scholarship, ideology, performance (2003)The modern invention of medie…The Sociology of Nationalism (2002)The Sociology of NationalismRealms of Memory: The Construction of the French Past (1998)Realms of Memory: The Constru…A History of the Popes 1830-1914 (1998)A History of the Popes 1830-1…Patriotism in the lives of individuals and nations (1997)Patriotism in the lives of in…Female Pianists and Their Male Critics in Nineteenth-Century Paris (1997)Female Pianists and Their Mal…Political traditions in modern France (1995)Political traditions in moder…Inventing the Louvre: art, politics, and the origins of the modern museum in eighteenth-century Paris (1995)Inventing the Louvre: art, po…The Myth of the Renaissance in Nineteenth-Century Writing (1994)The Myth of the Renaissance i…The early music revival: a history (1989)The early music revival: a hi…Cultural History: Between Practices and Representations. (1989)Cultural History: Between Pra…Neoclassicism in music: from the genesis of the concept through the Schoenberg/Stravinsky polemic (1988)Neoclassicism in music: from …Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna (1976)Music and the Middle Class: T…The Renaissance in Historical Thought: Five Centuries of Interpretation (1949)The Renaissance in Historical…Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris (2006)Murder in the Cathedral? Stra…THE UNIVERSAL SURVEY MUSEUM (1980)Exhibition, Difference, and the Logic of Culture (2006)Contested Cultural Heritage: A Selective Historiography (2010)Rhetorics of Value: Constituting Worth and Meaning through Cultural Display (2011)Gender and the Musical Canon (1994)Music, Gender, Education (1997)Music into action: performing gender on the Viennese concert stage, 1790–1810 (2002)From Paris to Peoria (2003)The Cambridge History of Music Criticism (2019)Separate Spheres and Public Places: Reflections on the History of Science Popularization and Science in Popular Culture (1994)The narrative constitution of identity: A relational and network approach (1994)The intellectual landscape of critical policy analysis (2014)Transnational Mobilization and Cultural Representation: Political Transfer in an Age of Proto-Globalization, Democratization and Nationalism 1848–1914 (2005)Christian Prophecy (2007)Smart but unhappy: Independent-school competition and the wellbeing-efficiency trade-off in education (2017)Outside Ravel's Tomb (1999)Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)The Fascist Turn in the Dance of Serge Lifar (2020)Musical Creativity in Restoration England (2013)Theorizing Adaptation (2020)Classical and Romantic Performing Practice (2025)The Nation in History: Historiographical Debates about Ethnicity and Nationalism (2000)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Aristoteles latinus (1982)The just war (1982)The Oxford calculators (1982)Landscapes, Memory, Monuments, and Commemoration: Putting Identity in Its Place (2001)The Modalities of Nostalgia (2006)Forgetting to remember, remembering to forget: late modern heritage practices, sustainability and the ‘crisis’ of accumulation of the past (2012)The Authoritarian Dynamic (2005)American Patriotism, National Identity, and Political Involvement (2007)Uncertainty–Identity Theory (2007)
this work references cited by second hop

References

  • 1998Realms of Memory: The Construction of the French Past398 cited
  • 1997Patriotism in the lives of individuals and nations395 cited
  • 1989Cultural History: Between Practices and Representations.375 cited
  • 2018A General History of Music, from the Earliest Ages to the Present Period329 cited
  • 2002The Sociology of Nationalism322 cited
  • 1949The Renaissance in Historical Thought: Five Centuries of Interpretation214 cited
  • 1998A History of the Popes 1830-1914188 cited
  • 1995Inventing the Louvre: art, politics, and the origins of the modern museum in eighteenth-century Paris186 cited
  • 1988Neoclassicism in music: from the genesis of the concept through the Schoenberg/Stravinsky polemic186 cited
  • 1997Female Pianists and Their Male Critics in Nineteenth-Century Paris181 cited
  • 1976Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna177 cited
  • 1989The early music revival: a history177 cited
  • 2003The modern invention of medieval music: scholarship, ideology, performance177 cited
  • 1995Political traditions in modern France177 cited
  • 1994The Myth of the Renaissance in Nineteenth-Century Writing145 cited

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  • 2003Virtuosity and the Musical Work136 cited
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    • 2006Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris4 cited