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Toward a Theory of Copyright: The Metamorphoses of “Authorship”
1 references·16 citing·37 second hop
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this work references cited by second hop

References

  • 1990Toward a Fair Use Standard392 cited

Cited by

  • 2011On sociomaterial imbrications: What plagiarism detection systems reveal and why it matters121 cited
  • 2013Copyright and Intellectual Property: The State of the Discipline54 cited
  • 2010Constrained authors: Bylines and authorship in news reporting45 cited
  • 2005Expressionism and Modernism in the American Theatre : Bodies, Voices, Words24 cited
  • 2002“When I Can Read My Title Clear”: Harriet Beecher Stowe and theStowe v. ThomasCopyright Infringement Case18 cited
  • 2010The Significance of Copyright History for Publishing History and Historians18 cited
  • 2013AUTHORSHIP IN HISTORICAL PERSPECTIVE AND ITS BEARING ON NEW TESTAMENT AND EARLY CHRISTIAN TEXTS AND CONTEXTS17 cited
  • 2021A Critique of the Ontology of Intellectual Property Law16 cited
  • 2011Defining and Experiencing Authorship(s) in the 130 Composition Classroom: Findings from a Qualitative Study of Undergraduate Writing Students at the City University of New York13 cited
  • 2014Textual DNA12 cited
  • 2019Autonomy, Authenticity, Authorship and Intention in computer generated art11 cited
  • 2014Romantic authorship in copyright law and the uses of aesthetics11 cited
  • 2003Rethinking written culture10 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2009Copyright, Governmentality and Problematisation10 cited
  • 2018Où sont passé·e·s les coauteurs·trices ?9 cited
  • 2015A tale of two singers: Representation, copyright, and “El Cantante”9 cited