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Turning Values into Revenue: The Markets and the Field of Popular Music in the US, the UK and West Germany (1940s to 1980s)
16 references·4 citing·36 second hop
Turning Values into Revenue: The Markets and the Field of Popular Music in the US, the UK and West Germany (1940s to 1980s) (2011)Turning Values into Revenue: The Markets …Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…How Do Fields Change? The Interrelations of Institutions, Networks, and Cognition in the Dynamics of Markets (2010)How Do Fields Change? The Int…Tournament Rituals, Category Dynamics, and Field Configuration: The Case of the Booker Prize (2008)Tournament Rituals, Category …Bourdieu and organizational analysis (2008)Bourdieu and organizational a…Theories of Markets and Theories of Society (2007)Theories of Markets and Theor…The Sociology of Markets (2007)The Sociology of MarketsThe iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)The iron cage revisited insti…Contracts Between Art and Commerce (2003)Contracts Between Art and Com…THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)THE WORK OF CULTURAL INTERMED…The field of Cultural Production (2002)The field of Cultural Product…When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)When Market Information Const…Creative industries: contracts between art and commerce (2000)Creative industries: contract…Producing Artistic Value: The Case of Rock Music (1994)Producing Artistic Value: The…Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Producing Pop: Culture and Co…Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Innovation and Diversity in t…Economic Action and Social Structure: The Problem of Embeddedness (1985)Economic Action and Social St…Vom Komparativ zum Superlativ (2018)Vom Komparativ zum SuperlativThe Production of Popular Culture in Twentieth-Century Western Europe: Trends in and Perspectives on ‘Europop’ (2013)The Production of Popular Cul…Popular Music in Germany, 1900–1930: A Case of Americanisation? Uncovering a European Trajectory of Music Production into the Twentieth Century (2013)Popular Music in Germany, 190…‘In what language do you like to sing best?’ Placing popular music in broadcasting in post-war Europe (2013)‘In what language do you like…Outline of a Theory of Practice (1977)Social Capital in the Creation of Human Capital (1988)Institutional work and the paradox of embedded agency (2009)Re‐Theorizing Change: Institutional Experimentation and the Struggle for Domination in the Field of Public Accounting (2012)Relational ethnography (2014)A Garbage Can Model of Organizational Choice (1972)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)The Population Ecology of Organizations (1977)Managing Legitimacy: Strategic and Institutional Approaches (1995)Toward a Theory of Stakeholder Identification and Salience: Defining the Principle of who and What Really Counts (1997)International Norm Dynamics and Political Change (1998)Introduction: commodities and the politics of value (1986)The Field of Cultural Production (1994)Qualitative marketing research: a cultural approach (2006)Are we all cultural intermediaries now? An introduction to cultural intermediaries in context (2012)Consultants, consultancy and consultocracy in education policymaking in England (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)Putting Communication Front and Center in Institutional Theory and Analysis (2014)Field or Fields? Building the Scaffolding for Cumulation of Research on Institutional Fields (2017)What Makes a Process Theoretical Contribution? (2020)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)In the Social Factory? (2008)Let a Thousand Flowers Bloom? An Early Look at Large Numbers of Software App Developers and Patterns of Innovation (2011)Die Gesellschaft der Singularitäten (2018)Vertical and Horizontal Discourse: An essay (1999)Artists, Aestheticisation and the Field of Gentrification (2003)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)The social order of markets (2009)Matching opportunities with resources: A framework for analysing (migrant) entrepreneurship from a mixed embeddedness perspective (2010)An Integrative Model Of Organizational Trust (1995)Bowling Alone: America's Declining Social Capital (1995)Social Capital, Intellectual Capital, and the Organizational Advantage (1998)
this work references cited by second hop

References

  • 1985Economic Action and Social Structure: The Problem of Embeddedness28,713 cited
  • 2004The iron cage revisited institutional isomorphism and collective rationality in organizational fields25,805 cited
  • 2002The field of Cultural Production2,461 cited
  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 2008Bourdieu and organizational analysis928 cited
  • 2007The Sociology of Markets597 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 2002THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION493 cited
  • 2010How Do Fields Change? The Interrelations of Institutions, Networks, and Cognition in the Dynamics of Markets446 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 2000When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry364 cited
  • 1992Innovation and Diversity in the Popular Music Industry, 1969 to 1990337 cited
  • 2003Contracts Between Art and Commerce323 cited
  • 2007Theories of Markets and Theories of Society293 cited
  • 1994Producing Artistic Value: The Case of Rock Music281 cited

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  • 2008Tournament Rituals, Category Dynamics, and Field Configuration: The Case of the Booker Prize218 cited
  • Cited by

    • 2018Vom Komparativ zum Superlativ44 cited
    • 2013Popular Music in Germany, 1900–1930: A Case of Americanisation? Uncovering a European Trajectory of Music Production into the Twentieth Century5 cited
    • 2013‘In what language do you like to sing best?’ Placing popular music in broadcasting in post-war Europe4 cited
    • 2013The Production of Popular Culture in Twentieth-Century Western Europe: Trends in and Perspectives on ‘Europop’3 cited