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Visionary Film: The American Avant-Garde, 1943-2000
0 references·16 citing·42 second hop
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Cited by

  • 2008What's the Point of an Index? or, Faking Photographs155 cited
  • 2003Death Every Afternoon126 cited
  • 2012Feminist Film Studies95 cited
  • 2007"MTV Aesthetics" at the Movies: Interrogating a Film Criticism Fallacy38 cited
  • 1984Film and the Dream Screen38 cited
  • 2010Crash29 cited
  • 2008STRUCTURAL FILM:25 cited
  • 2006The Personal Cinema of Maya Deren: Meshes of the Afternoon and Its Critical Reception in the History of the Avant-Garde21 cited
  • 1992Maya Deren: A portrait of the artist as ethnographer20 cited
  • 2007Art House or House of Exorcism? The Changing Distribution and Reception Contexts of Mario Bava’s Lisa and the Devil18 cited
  • 2007The Sleazy Pedigree of Todd Haynes16 cited
  • 2011Reich in Blackface:Oh Dem Watermelonsand Radical Minstrelsy in the 1960s15 cited
  • 2018A DIY Come-On: A History of Optical Printing in Avant-Garde Cinema15 cited
  • 2003Bodies Too Much13 cited
  • 2007Para-Paracinema13 cited
  • 2021Giving Bodies Back to Data

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13 cited