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Transformation in Rock Harmony: An Explanatory Strategy*
16 references·1 citing·32 second hop
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References

  • 1961Emotion and Meaning in Music1,957 cited
  • 1981Classic Music: Expression, Form, and Style724 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1990Style and music: theory, history, and ideology488 cited
  • 1988Generalized Musical Intervals and Transformations487 cited
  • 2006Normalizing the Abnormal: Disability in Music and Music Theory172 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 1995The so-called ‘flattened seventh’ in rock140 cited
  • 2006Sounding Off: Theorizing Disability in Music130 cited
  • 2004Rationalism vs. Empiricism128 cited
  • 2004Neo-Riemannian Theory and the Analysis of Pop-Rock Music94 cited
  • 2003What to listen for in rock: a stylistic analysis88 cited
  • 1961Set Structure as a Compositional Determinant87 cited
  • 2005When Functions Collide: Aspects of Plural Function in Chromatic Music71 cited
  • 1985IS THERE AN INTERTEXT IN THIS TEXT? LITERARY AND INTERDISCIPLINARY APPROACHES TO INTERTEXTUALITY65 cited
  • 1964

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A Theory of Set-Complexes for Music
61 cited

Cited by

  • 2015Hipster Harmony5 cited