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Cited by

• 2012Status: Insights from Organizational Sociology471 cited
• 1995Explaining Creativity: The Attributional Perspective260 cited
• 2006Evaluative schemas and the attention of critics in the US film industry125 cited
• 2011Multi-Stakeholder Sustainability Alliances in Agri-Food Chains: A Framework for Multi-Disciplinary Research79 cited
• 2011Community structure and patterns of scientific collaboration in Business and Management71 cited
• 1998The Sociological Tradition and the Spread and Institutionalization of Knowledge for Action34 cited
• 2007Careers in the right beat: US jazz musicians' typical and non‐typical trajectories33 cited
• 1999Distribution of the arts: British arts centres as ‘gatekeepers’ in intersecting cultural production systems18 cited
• 2015Talk of Heritage: Critical Benchmarks and DIY Preservationism in Progressive Rock12 cited
• 2020Intellectual Commons and the Law: A Normative Theory for Commons-Based Peer Production12 cited
• 1997Measuring symbolic boundaries among artists8 cited
• 2011Selling National Value at the Auction Market: The London and Dublin Markets for Irish Art6 cited
• 2015Categories and networks in jazz evolution: The overlap between bandleaders’ jazz sidemen from 1930 to 19695 cited