SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A Plaine and Easie Introduction to Practicall Musicke
0 references·16 citing·44 second hop
A Plaine and Easie Introduction to Practicall Musicke (1938)A Plaine and Easie Introduction to Practi…The Cambridge History of Sixteenth-Century Music (2019)The Cambridge History of Sixt…Music in the Early Colonial World (2019)Music in the Early Colonial W…Shakespeare and the Visual Imagination (2015)Shakespeare and the Visual Im…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…The Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Memorializing Mary Tudor: William Byrd and Edward Paston's 'Crowned with Flowers and Lilies' (2012)Memorializing Mary Tudor: Wil…Alessandro Striggio's Mass in Forty and Sixty Parts (2007)Alessandro Striggio's Mass in…Morley's rule for first-species canon (2006)Morley's rule for first-speci…Tonal organization in seventeenth-century music theory (2002)Tonal organization in sevente…Counterpoint pedagogy in the Renaissance (2002)Counterpoint pedagogy in the …The Cambridge History of American Music (1998)The Cambridge History of Amer…Popular song and popular music on stage and film (1998)Popular song and popular musi…Art music from 1800 to 1860 (1998)Art music from 1800 to 1860African American music to 1900 (1998)African American music to 1900Tempo relationships between duple and triple time in the sixteenth century (1995)Tempo relationships between d…Vocal colour in English sixteenth~century polyphony (1979)Vocal colour in English sixte…Anatomy of Criticism (1957)The Black Atlantic: Modernity and Double Consciousness (1994)Modernity at Large: Cultural Dimensions of Globalization. (1998)From Paris to Peoria (2003)Developing and validating five-construct model of customer satisfaction in beauty and cosmetic E-commerce (2020)Instrumental Music Printed before 1600 (1965)Performance practice : music before 1600 (1989)A Correspondence of Renaissance Musicians (1993)Instrumental performance in the nineteenth century (2012)The performer and the composer (2012)Vocal performance in the nineteenth century (2012)The Past is a Foreign Country (1986)The Truth in Painting (1987):Man and the Natural World: Changing Attitudes in England 1500-1800 (1998)Still Shakespeare and the Photography of Performance (2019)Dictionnaire de musique (1913)Le Istitutioni Harmoniche (1967)Music in the Seventeenth Century (1987)Studies in the History of the Cadence (2015)Tonality as Topic (2017)The Requiem of Tomás Luis de Victoria (1603) (2019)The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)The New Grove Dictionary of Music and Musicians (1981)The Book of Memory: A Study of Memory in Medieval Culture (1991)The book of memory: a study of memory in medieval culture (1991)“Historically Informed” Corpus Studies (2012)Renaissance Improvisation and Musicology (2013)Thomas Campion’s “Chordal Counterpoint” and Tallis’s Famous Forty-Part Motet (2018)The Mediterranean and the Mediterranean World in the Age of Philip II (1974)Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking (2003)EU 7 FP project Governing urban divercity: Creating social cohesion, social mobility and economic performance in today’s hyper-diversified cities (DIVERCITIES) – The case of Warsaw (2017)Renaissance Polyphony (2020)Encounters with Music in Rudolf II's Prague (2021)The Filmed Musical (2012)The Television Musical (2012)Tin Pan Alley Songs on Stage and Screen before World War II (2012)American musical theatre before the twentieth century (2001)Images of African Americans: African-American musical theatre, Show Boat and Porgy and Bess (2001)Why do they start to sing and dance all of a sudden? Examining the film musical (2001)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 1998The Cambridge History of American Music120 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 1998Art music from 1800 to 186047 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1995Tempo relationships between duple and triple time in the sixteenth century42 cited
  • 2002Tonal organization in seventeenth-century music theory42 cited
  • 2002Counterpoint pedagogy in the Renaissance40 cited
  • 2015Shakespeare and the Visual Imagination40 cited
  • 1998Popular song and popular music on stage and film38 cited
  • 2007Alessandro Striggio's Mass in Forty and Sixty Parts34 cited
  • 1998African American music to 190025 cited
  • 2019Music in the Early Colonial World24 cited
  • 1979Vocal colour in English sixteenth~century polyphony21 cited
  • 2006Morley's rule for first-species canon19 cited
  • 2012Memorializing Mary Tudor: William Byrd and Edward Paston's 'Crowned with Flowers and Lilies'

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

19 cited