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Melodrama and the negotiation of morality in mainstream Hindi film
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  • 2004“We go to Get Ahead”65 cited
  • 2007Desire, Youth, and Realism in Tamil Cinema45 cited
  • 2001Superhit hunk heroes for sale: Globalization and Bollywood's gender politics30 cited
  • 2020Prime Time Soap Operas on Indian Television24 cited
  • 2002Globalization and the Reconstitution of Local Gender Arrangements22 cited
  • 2000Male Hindi filmgoers' gaze: An ethnographic interpretation21 cited
  • 2010‘Shining Indians’: Diaspora and Exemplarity in Bollywood20 cited
  • 2007Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge20 cited
  • 2012No Longer a Frivolous Singing and Dancing Nation of Movie-Makers: The Hindi Film Industry and Its Quest for Global Distinction19 cited
  • 2003Jai Santoshi Maa Revisited:18 cited
  • 2005Gender, Nation, and Globalization inMonsoon WeddingandDilwale Dulhania Le Jayenge16 cited
  • 2009Seeing voices: Oral pragmatics and the silent cinema12 cited
  • 2008Celluloid love songs: musical modus operandi and the dramatic aesthetics of romantic Hindi film12 cited
  • 2010The Hindi Film's Romance and Tibetan Notions of Harmony: Emotional Attachments and Personal Identity in the Tibetan Diaspora in India12 cited

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  • 2010A Need for Redress10 cited
  • 2005IMAGING THE AUDIENCE10 cited