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Prelude on a Partimento
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Prelude on a Partimento (2015)Prelude on a PartimentoIntroduction (2014)IntroductionTRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)TRAZOM'S WIT: COMMUNICATIVE S…The Oxford Handbook of Topic Theory (2013)The Oxford Handbook of Topic …The Art of Partimento: History, Theory, and Practice (2012)The Art of Partimento: Histor…M eyer's Anvil: Revisiting the Schema Concept (2012)M eyer's Anvil: Revisiting th…The End of Early Music (2007)The End of Early MusicMusic in the Galant Style (2007)Music in the Galant StyleCreativity in the Making (2003)Creativity in the MakingThe Langloz Manuscript: Fugal Improvisation through Figured Bass (2001)The Langloz Manuscript: Fugal…Bach, Johann Sebastian (2001)Bach, Johann SebastianJohann Sebastian Bach: The Learned Musician (2000)Johann Sebastian Bach: The Le…Bach's Works for Solo Violin (1999)Bach's Works for Solo ViolinMusica Poetica: Musical-Rhetorical Figures in German Baroque Music (1998)Musica Poetica: Musical-Rheto…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Johann Mattheson's Der vollkommene Capellmeister: A revised translation with critical commentary (1981)Johann Mattheson's Der vollko…Mind in Society: The Development of Higher Psychological Processes (1978)Mind in Society: The Developm…FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY (2019)FOUR STEPS TOWARDS PARNASSUS:…The Partimento Tradition in the Shadow of Enlightenment Thought (2017)The Partimento Tradition in t…Review of Massimiliano Guido, ed.,Studies in Historical Improvisation fromCantare super LibrumtoPartimenti (Ashgate, 2017) (2017)Review of Massimiliano Guido,…An essay concerning human understanding, 1690. (1948)The Interpretation of Cultures (1974)Do Artifacts Have Politics? (2017)Musical Syntax I: Theoretical Perspectives (2018)Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends (2019)The Structure of Scientific Revolutions (1963)The Past is a Foreign Country (1986)Musicking: the meanings of performing and listening (1999)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Women and Music in Sixteenth-Century Ferrara (2018)Bach's extraordinary temperament: our Rosetta Stone--1 (2005)Consuming Music Together (2006)Bach's Dialogue with Modernity: Perspectives on the Passions (2010)'Mutato semper habitu': Heinrich Schutz and the Culture of Rhetoric (2009)Music, Modernity, and God (2013)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Reciprocal Teaching of Comprehension-Fostering and Comprehension-Monitoring Activities (1984)Qualitative Analysis for Social Scientists (1987)Expansive Learning at Work: Toward an activity theoretical reconceptualization (2001)Creativity As Cultural Participation (2010)The Roles of Creativity in Society (2010)The Psychology of Creativity: A Critical Reading (2014)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK (2015)The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes (2017)Bach's Feet: The Organ Pedals in European Culture (2012)The (Co)Evolution of Language and Music Under Human Self-Domestication (2023)Cadence (2024)
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References

  • 1978Mind in Society: The Development of Higher Psychological Processes53,480 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 2013The Oxford Handbook of Topic Theory435 cited
  • 2007Music in the Galant Style432 cited
  • 1998Musica Poetica: Musical-Rhetorical Figures in German Baroque Music231 cited
  • 2003Creativity in the Making162 cited
  • 2007The End of Early Music152 cited
  • 2012M eyer's Anvil: Revisiting the Schema Concept83 cited
  • 1981Johann Mattheson's Der vollkommene Capellmeister: A revised translation with critical commentary74 cited
  • 2000Johann Sebastian Bach: The Learned Musician74 cited
  • 2012The Art of Partimento: History, Theory, and Practice59 cited
  • 2001Bach, Johann Sebastian58 cited
  • 2013TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA50 cited
  • 2001The Langloz Manuscript: Fugal Improvisation through Figured Bass38 cited
  • 1999Bach's Works for Solo Violin38 cited
  • 2014Introduction33 cited

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Cited by

  • 2019FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY5 cited
  • 2017The Partimento Tradition in the Shadow of Enlightenment Thought2 cited
  • 2017Review of Massimiliano Guido, ed.,Studies in Historical Improvisation fromCantare super LibrumtoPartimenti (Ashgate, 2017)2 cited