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From "Caligari" to Dietrich: Sexual, Social, and Cinematic Discourses in Weimar Film
11 references·1 citing·32 second hop
From "Caligari" to Dietrich: Sexual, Social, and Cinematic Discourses in Weimar Film (1993)From "Caligari" to Dietrich: Sexual, Soci…Indiscretions: Avant-Garde Film, Video, and Feminism (2021)Indiscretions: Avant-Garde Fi…From Caligari to Hitler (2019)From Caligari to HitlerThe Desire to Desire: The Woman's Film of The 1940s (1993)The Desire to Desire: The Wom…The difficulty of difference: psychoanalysis, sexual difference, and film theory (1991)The difficulty of difference:…Hard core: power, pleasure, and "the frenzy of the visible" (1990)Hard core: power, pleasure, a…Joyless streets: women and melodramatic representation in Weimar, Germany (1989)Joyless streets: women and me…Mothers in the Fatherland: Women, the Family, and Nazi Politics (1988)Mothers in the Fatherland: Wo…Her Body, Himself: Gender in the Slasher Film (1987)Her Body, Himself: Gender in …Alice Doesn't: Feminism, Semiotics, Cinema (1985)Alice Doesn't: Feminism, Semi…Kritik der zynischen Vernunft (1984)Kritik der zynischen VernunftEarly Silent Cinema: Whose Public Sphere? (1983)Early Silent Cinema: Whose Pu…City of Darkness, City of Light : Emigré Filmmakers in Paris 1929-1939 (2003)City of Darkness, City of Lig…The Other Victorians: A Study of Sexuality and Pornography in Mid-Nineteenth-Century England (1966)WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE (1997)Seductions of the “Honor Crime” (2011)Cato the Censor and the beginnings of Latin prose: from poetic translation to elite transcription (2012)Film and the Masquerade: Theorising the Female Spectator (1982)A Bibliography of the Concept Offentlichkeit (1994)Le cinéma n’est jamais né (2008)Kino als kollektiver Erfahrungsraum (2016)Film Bodies: Gender, Genre, and Excess (1991)Fifty Key Concepts in Gender Studies (2004)Aggression and Sexual Behavior in Best-Selling Pornography Videos: A Content Analysis Update (2010)The Discourse of Pictures: Iconicity and Film Studies (1993)Subversive strategies: Masochism, gender and power in Kōno Taeko’s “Toddler-Hunting” (2000)Psychoanalytic Film Theory (2003)Beyond assumptions: Shifting the limits of action research (1990)Forms of Inattentiveness: The Production of Blindness in the Development of a Technology for the Observation of Quality in Health Services (2011)The tactical mimicry of social enterprise strategies: Acting ‘as if’ in the everyday life of third sector organizations (2015)Content Analysis in Consumer Research (1977)Relationship marketing defined? An examination of current relationship marketing definitions (1999)Theorising visual framing: contingency, materiality and ideology (2020)BECOMING A RACIST (1996)A Womanist Experience of Caring: Understanding the Pedagogy of Exemplary Black Women Teachers (2002)Management Research and Practice (2014)Star Trekrerun, reread, rewritten: Fan writing as textual poaching (1988)Poststructural feminism in education: An overview (2000)Gay characters in conventional spaces: Will and Grace and the situation comedy genre (2002)Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film (1992)STRUCTURAL FILM: (2008)A HISTORY LONG OVERDUE: (2011)The Cambridge Companion to Gothic Fiction (2002)A web of fantasies: gaze, image, and gender in Ovid's Metamorphoses (2006)The Mind‐Game Film (2008)
this work references cited by second hop

References

  • 1990Hard core: power, pleasure, and "the frenzy of the visible"1,584 cited
  • 1985Alice Doesn't: Feminism, Semiotics, Cinema673 cited
  • 1988Mothers in the Fatherland: Women, the Family, and Nazi Politics486 cited
  • 1993The Desire to Desire: The Woman's Film of The 1940s344 cited
  • 2019From Caligari to Hitler336 cited
  • 1984Kritik der zynischen Vernunft314 cited
  • 1987Her Body, Himself: Gender in the Slasher Film218 cited
  • 1991The difficulty of difference: psychoanalysis, sexual difference, and film theory108 cited
  • 2021Indiscretions: Avant-Garde Film, Video, and Feminism95 cited
  • 1983Early Silent Cinema: Whose Public Sphere?78 cited
  • 1989Joyless streets: women and melodramatic representation in Weimar, Germany70 cited

Cited by

  • 2003City of Darkness, City of Light : Emigré Filmmakers in Paris 1929-193914 cited

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