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Mineralogical characterization of the blue pigment of Michelangelo's fresco "The Last Judgment"
1 references·14 citing·54 second hopsampled
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References

  • 1968Lapis Lazuli: The Early Phases of Its Trade124 cited

Cited by

  • 2009The presence of trapped carbon dioxide in lapis lazuli and its potential use in geo-sourcing natural ultramarine pigment43 cited
  • 2014New insights on blue pigments used in 15th century paintings by synchrotron radiation-based micro-FTIR and XRD42 cited
  • 2013New markers to identify the provenance of lapis lazuli: trace elements in pyrite by means of micro-PIXE37 cited
  • 2016Protocol for lapis lazuli provenance determination: evidence for an Afghan origin of the stones used for ancient carved artefacts kept at the Egyptian Museum of Florence (Italy)35 cited
  • 2015µ-XRF Analysis of Trace Elements in Lapis Lazuli-Forming Minerals for a Provenance Study34 cited
  • 2010Application of photoacoustic infrared spectroscopy in the forensic analysis of artists’ inorganic pigments33 cited
  • 2020Natural or synthetic? Simultaneous Raman/luminescence hyperspectral microimaging for the fast distinction of ultramarine pigments33 cited
  • 2020Application of statistical analyses for lapis lazuli stone provenance determination by XRL and XRF23 cited
  • 2010GEMSTONES FROM VIGNA BARBERINI AT THE PALATINE HILL (ROME, ITALY)*17 cited
  • 2015The fast and direct characterization of blue-and-white porcelain glaze from Jingdezhen by laser ablation-inductively coupled plasma mass spectrometry15 cited
  • 2019The Red Slip Ware from Motya (Sicily, Italy): A multi-analytical approach for determining the production technology and the nature of the raw materials

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13 cited
  • 2022Multisensor hyperspectral imaging approach for the microchemical analysis of ultramarine blue pigments11 cited
  • 2013Materials and Techniques of Twentieth Century Argentinean Murals9 cited
  • 2022Non-invasive mineral analysis of pigments of wall paintings in the Sungseonjeon Hall8 cited