References

• 1973The Structure of Atonal Music501 cited
• 1963Perspectives of New Music381 cited
• 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
• 1987Composition With Pitch-Classes167 cited
• 1980Basic atonal theory160 cited
• 1994An Introduction to the Music of Milton Babbitt111 cited
• 1990Klumpenhouwer Networks and Some Isographies That Involve Them91 cited
• 1990Composition with Pitch Classes: A Theory of Compositional Design91 cited
• 1961Set Structure as a Compositional Determinant87 cited
• 1961The Source Set and Its Aggregate Formations74 cited
• 1998Voice-Leading Spaces63 cited
• 1990Three Essays on Milton Babbitt53 cited
• 1988Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One51 cited
• 1995Generalized Interval Systems for Babbitt's Lists, and for Schoenberg's String Trio49 cited
• 1991The Twelve-Note Music of Anton Webern47 cited
• 1982A Principle of Voice Leading in the Music of Stravinsky