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The Functional Extravagance of Chromatic Chords
1 references·16 citing·51 second hop
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this work references cited by second hop

References

  • 1953Structural Hearing; Tonal Coherence in Music246 cited

Cited by

  • 2011The Oxford Handbook of Neo-Riemannian Music Theories87 cited
  • 1997Analyzing Music under the New Musicological Regime85 cited
  • 2012Harmony in Haydn and Mozart74 cited
  • 1995Functional Harmony Revisited: A Prototype-Theoretic Approach59 cited
  • 2011Composition, Perception, and Schenkerian Theory59 cited
  • 2013Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms57 cited
  • 2002Chromatic Transformations in Nineteenth-Century Music51 cited
  • 1996From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century50 cited
  • 2009Music After All49 cited
  • 2007Enharmonic Position Finding and the Resolution of Seventh Chords in Chromatic Music48 cited
  • 2002Nineteenth-century harmonic theory: the Austro-German legacy47 cited
  • 2009The Tristan Chord Resolved39 cited
  • 1991Syntagmatics and Paradigmatics: Some Implications for the Analysis of Chromaticism in Tonal Music38 cited
  • 2023Tonality35 cited

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2016
Understanding the leitmotif: from Wagner to Hollywood film music
30 cited
  • 2012On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)29 cited