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Learning from Masters of Music Creativity: Shaping Compositional Experiences in Music Education
16 references·2 citing·33 second hop
Learning from Masters of Music Creativity: Shaping Compositional Experiences in Music Education (2007)Learning from Masters of Music Creativity…Art as Experience (1934) (2026)Art as Experience (1934)The Dialectic of Freedom (2010)The Dialectic of FreedomRETRACTED ARTICLE: The Nature of Creativity (2006)RETRACTED ARTICLE: The Nature…Problem-Solving and Creativity: Insights from Students’ Individual Composing Pathways (2004)Problem-Solving and Creativit…A Philosophy of Music Education: Advancing the Vision (2003)A Philosophy of Music Educati…Invented Notations: A View of Young Children's Musical Thinking (1997)Invented Notations: A View of…Beyond the Brillo Box: The Visual Arts in a Post-Historical Perspective (1993)Beyond the Brillo Box: The Vi…Music as social text (1992)Music as social textHandbook of Research on Music Teaching and Learning (1992)Handbook of Research on Music…The Portable Karl Marx (1983)The Portable Karl MarxThe Creative Imagination (1981)The Creative ImaginationThe Hidden Order of Art: A Study in the Psychology of Artistic Imagination (1978)The Hidden Order of Art: A St…The sacred and the profane (1959)The sacred and the profaneCreative Intuition in Art and Poetry (1954)Creative Intuition in Art and…Style and Idea (1950)Style and IdeaThe art of thought (1926)The art of thoughtMapping the Mountain: An Open Model of Creativity for String Education (2019)Mapping the Mountain: An Open…The orchestra of ideas: Using music to enhance the ‘fuzzy front end’ phase of product innovation (2017)The orchestra of ideas: Using…Creativity. (1950)The Social Psychology of Creativity (1983)Self-theories: Their Role in Motivation, Personality, and Development (1999)Reliability, Validity, and Factor Structure of the Creative Achievement Questionnaire (2005)Can We Trust Creativity Tests? A Review of the Torrance Tests of Creative Thinking (TTCT) (2006)Rethinking Giftedness and Gifted Education (2011)From child to musician: skill development during the beginning stages of learning an instrument (2004)Problems in comparative research: The example of omnivorousness (2005)Development and Adaptation of Expertise: The Role of Self-Regulatory Processes and Beliefs (2006)Intention, history, and artifact concepts (1996)The German Aesthetic Tradition (2002)The artist and the brand (2005)Guiding creative talent. (1962)Affect and Creativity at Work (2005)In Praise of Convergent Thinking (2006)Schizophrenia, Modernism, and the "Creative Imagination": On Creativity and Psychopathology (2001)Technologies of the Imagination: An Introduction (2009)Creativity Research (2010)Qualitative Analysis for Social Scientists (1987)Stories of Experience and Narrative Inquiry (1990)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)Cognition and the Body: Perspectives from Music Education (2004)Using musical agency as a lens: Researching music education from the angle of experience (2011)The role of arts participation in students’ academic and nonacademic outcomes: A longitudinal study of school, home, and community factors. (2013)Forms of Understanding and the Future of Educational Research (1993)Stories to Live By: Narrative Understandings of School Reform (1998)Transformative Leadership: Working for Equity in Diverse Contexts (2010)The Process of Janusian Thinking in Creativity (1971)Notes on improvisation and time in organizations (1999)The Onset of Language (2003)African Traditional Thought and Western Science (1967)The Sacred and the Profane in Consumer Behavior: Theodicy on the Odyssey (1989)Place attachment: A conceptual inquiry. (1992)
this work references cited by second hop

References

  • 2026Art as Experience (1934)5,188 cited
  • 1926The art of thought1,974 cited
  • 2006RETRACTED ARTICLE: The Nature of Creativity1,498 cited
  • 2010The Dialectic of Freedom837 cited
  • 1959The sacred and the profane824 cited
  • 1992Handbook of Research on Music Teaching and Learning650 cited
  • 1981The Creative Imagination528 cited
  • 2003A Philosophy of Music Education: Advancing the Vision409 cited
  • 1993Beyond the Brillo Box: The Visual Arts in a Post-Historical Perspective230 cited
  • 1950Style and Idea204 cited
  • 1992Music as social text141 cited
  • 2004Problem-Solving and Creativity: Insights from Students’ Individual Composing Pathways125 cited
  • 1983The Portable Karl Marx125 cited
  • 1978The Hidden Order of Art: A Study in the Psychology of Artistic Imagination121 cited
  • 1954Creative Intuition in Art and Poetry110 cited
  • 1997Invented Notations: A View of Young Children's Musical Thinking66 cited

Cited by

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2017
The orchestra of ideas: Using music to enhance the ‘fuzzy front end’ phase of product innovation
23 cited
  • 2019Mapping the Mountain: An Open Model of Creativity for String Education4 cited