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The Message of Tourist Art, an African Semiotic System in Comparative Perspective
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Cited by

  • 2000The Visible Evidence of Cultural Producers225 cited
  • 1994Toward a critical analysis of tourism representations128 cited
  • 2011Jazz and the Disconnected: City Structural Disconnectedness and the Emergence of a Jazz Canon, 1897–1933104 cited
  • 2010Cosmopolitan preferences: The constitutive role of place in American elite taste for hip-hop music 1991–200568 cited
  • 1993Exploding Canons: The Anthropology of Museums64 cited
  • 1989African Visual Arts from an Art Historical Perspective48 cited
  • 1989African Visual Arts from a Social Perspective28 cited
  • 1993Tourist arts in Africa before tourism23 cited
  • 1999Metamorphosis in the Culture Market of Niger22 cited
  • 2014Myth, national identity, and the contemporary tourism site: the case of Amalienborg and Frederiksstaden7 cited
  • 1998Media spectacles: The production and reception of Tamil Cinema advertisements6 cited
  • 2008African tourist art as tradition and product of the postcolonial exotic6 cited

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