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Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry
16 references·12 citing·35 second hop
Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry (2013)Identification of protein binders in artw…Physico-chemical characterization of protein–pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar (2012)Physico-chemical characteriza…Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample (2011)Identification of Animal Glue…Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings (2011)Deamidation at Asparagine and…Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Analytical Strategies for Cha…Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry (2009)Tryptic peptide analysis of p…The development of a gas chromatographic–mass spectrometric analytical procedure for the determination of lipids, proteins and resins in the same paint micro-sample avoiding interferences from inorganic media (2009)The development of a gas chro…Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Proteomic strategies for the …The binding media of the polychromy of Qin Shihuang's Terracotta Army (2008)The binding media of the poly…Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Novel analytical methods for …Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry (2007)Identification of proteinaceo…GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences (2007)GC–MS identification of prote…Identification of Proteins in Renaissance Paintings by Proteomics (2006)Identification of Proteins in…Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings (2004)Matrix‐assisted laser desorpt…Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)Two procedures for suppressin…Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Characterisation of proteinac…Ageing and Deterioration of Proteinaceous Media (1981)Ageing and Deterioration of P…Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Review of recent advances on …A comparative study on the extraction effects of common agents on collagen-based binders in mural paintings (2021)A comparative study on the ex…In Situ Hydrogel Extraction with Dual-Enzyme Digestion of Proteinaceous Binders: the Key for Reliable Mass Spectrometry Investigations of Artworks (2020)In Situ Hydrogel Extraction w…Spectroscopic and chromatographic investigation of the wall painted surfaces of an 18th century Indian temple, New Delhi (2019)Spectroscopic and chromatogra…Mass Spectrometric Identification of Adhesive Utilized in a Tian-tsui Tiara of the mid-Qing Dynasty (1776–1839 CE) in the Collection of the Tang Clan Folk Museum (2018)Mass Spectrometric Identifica…Investigation of proteins in samples of a mid-18th century colonial mural painting by MALDI-TOF/MS and LC-ESI/MS (Orbitrap) (2018)Investigation of proteins in …Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques (2018)Characterization of proteins …A novel LC–MS method using collagen marker peptides for species identification of glue applicable to samples with multiple animal origins (2018)A novel LC–MS method using co…Chemical characterization of medieval illuminated parchment scrolls (2017)Chemical characterization of …Evaluation of mass spectrometric data using principal component analysis for determination of the effects of organic lakes on protein binder identification (2015)Evaluation of mass spectromet…Electrospray Ionization Linear Trap Quadrupole Orbitrap in Analysis of Old Tempera Paintings: Application to Nineteenth-Century Orthodox Icons (2015)Electrospray Ionization Linea…Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry (2014)Identification of lipid- and …Methods and materials of painting of the great schools and masters (1960)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Palaeoproteomic Profiling of Conservation Layers on a 14th Century Italian Wall Painting (2018)The Organic Chemistry of Museum Objects (1988)Organic Mass Spectrometry in Art and Archaeology (2009)Proteomic strategies for cultural heritage: From bones to paintings (2015)Organic Chemistry of Museum Objects (2012)Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China (2012)Infrared Spectroscopy in Conservation Science (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Painting Materials : a Short Encyclopedia (1943)The materials and techniques of medieval painting (1956)Proteomic identification of organic additives in the mortars of ancient Chinese wooden buildings (2014)Interactions between inorganic pigments and rabbit skin glue in reference paint reconstructions (2015)Method for Noninvasive Analysis of Proteins and Small Molecules from Ancient Objects (2017)The Organic Chemistry of Museum Objects (1987)Analytical chemistry in the field of cultural heritage (2015)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Painting Materials: A Short Encyclopedia (2011)Analytical Instrumental Techniques to Study Archaeological Wood Degradation (2015)Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects (2016)Recent progress in instrumental techniques for architectural heritage materials (2019)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Improved procedure for protein binder analysis in mural painting by LC-ESI/Q-q-TOF mass spectrometry: detection of different milk species by casein proteotypic peptides (2009)Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals (2009)Electrochemical analysis of natural solid organic dyes and pigments (2003)A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings (2012)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Characterisation of wax works of art by gas chromatographic procedures (2005)
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References

  • 2010Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry184 cited
  • 2008Novel analytical methods for characterising binding media and protective coatings in artworks148 cited
  • 2006Identification of Proteins in Renaissance Paintings by Proteomics134 cited
  • 1999Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry127 cited
  • 2011Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings107 cited
  • 2009Proteomic strategies for the identification of proteinaceous binders in paintings89 cited
  • 2007Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry84 cited
  • 2009The development of a gas chromatographic–mass spectrometric analytical procedure for the determination of lipids, proteins and resins in the same paint micro-sample avoiding interferences from inorganic media83 cited
  • 2011Identification of Animal Glue Species in Artworks Using Proteomics: Application to a 18th Century Gilt Sample82 cited
  • 2004Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings78 cited
  • 1981Ageing and Deterioration of Proteinaceous Media77 cited
  • 2012Physico-chemical characterization of protein–pigment interactions in tempera paint reconstructions: casein/cinnabar and albumin/cinnabar75 cited

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  • 1999Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings73 cited
  • 2008The binding media of the polychromy of Qin Shihuang's Terracotta Army72 cited
  • 2009Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry71 cited
  • 2007GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences70 cited
  • Cited by

    • 2022Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks31 cited
    • 2015Evaluation of mass spectrometric data using principal component analysis for determination of the effects of organic lakes on protein binder identification27 cited
    • 2014Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry27 cited
    • 2018A novel LC–MS method using collagen marker peptides for species identification of glue applicable to samples with multiple animal origins27 cited
    • 2020In Situ Hydrogel Extraction with Dual-Enzyme Digestion of Proteinaceous Binders: the Key for Reliable Mass Spectrometry Investigations of Artworks26 cited
    • 2018Mass Spectrometric Identification of Adhesive Utilized in a Tian-tsui Tiara of the mid-Qing Dynasty (1776–1839 CE) in the Collection of the Tang Clan Folk Museum23 cited
    • 2021A comparative study on the extraction effects of common agents on collagen-based binders in mural paintings22 cited
    • 2018Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques22 cited
    • 2017Chemical characterization of medieval illuminated parchment scrolls21 cited
    • 2018Investigation of proteins in samples of a mid-18th century colonial mural painting by MALDI-TOF/MS and LC-ESI/MS (Orbitrap)20 cited
    • 2019Spectroscopic and chromatographic investigation of the wall painted surfaces of an 18th century Indian temple, New Delhi17 cited
    • 2015Electrospray Ionization Linear Trap Quadrupole Orbitrap in Analysis of Old Tempera Paintings: Application to Nineteenth-Century Orthodox Icons13 cited