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Authenticating by re-enchantment: The discursive making of craft production
16 references·16 citing·37 second hopsampled
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References

  • 2025Advances in Consumer Research13,264 cited
  • 1995Simulacra and Simulation6,889 cited
  • 1995Critical Discourse Analysis: The Critical Study of Language6,742 cited
  • 2002The Field behind the Screen: Using Netnography for Marketing Research in Online Communities3,970 cited
  • 2005Consumer Culture Theory (CCT): Twenty Years of Research3,671 cited
  • 1996Social Practices2,180 cited
  • 1995Seeking the Ideal Form: Product Design and Consumer Response1,922 cited
  • 1997Social practices: a Wittgensteinian approach to human activity and the social1,793 cited
  • 1995Liberatory Postmodernism and the Reenchantment of Consumption1,633 cited
  • 1997Consumer culture and modernity1,444 cited
  • 2003Teaching Old Brands New Tricks: Retro Branding and the Revival of Brand Meaning1,418 cited
  • 1996The McDonaldization of Society1,349 cited
  • 2005How brands become icons: the principles of cultural branding1,287 cited
  • 2004Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings1,204 cited
  • 2001Utopian Enterprise: Articulating the Meanings ofStar Trek's Culture of Consumption : Figure 11,051 cited

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  • 2005Religiosity in the Abandoned Apple Newton Brand Community1,027 cited
  • Cited by

    • 2018Netnography as a tool for understanding customers: implications for service research and practice227 cited
    • 2019Nostalgia marketing and (re-)enchantment128 cited
    • 2021Impact of perceived brand localness and globalness on brand authenticity to predict brand attitude: a cross-cultural Asian perspective64 cited
    • 2020Enchantment and perpetual desire: Theorizing disenchanted enchantment and technology adoption53 cited
    • 2018Examining how brand authenticity is established and maintained: the case of the Reverso49 cited
    • 2019Being hybrid: a conceptual update of consumer self and consumption due to online/offline hybridity41 cited
    • 2019Seduced by “fakes”: Producing the excessive interplay of authentic/counterfeit from a Baudrillardian perspective36 cited
    • 2021From “aesthetic” to aestheticization: a multi-layered cultural approach32 cited
    • 2018Inventing a past: Corporate heritage as dialectical relationships of past and present27 cited
    • 2016Art Fairs as a Medium for Branding Young and Emerging Artists: The Case of Frieze London25 cited
    • 2018Paradox and market renewal18 cited
    • 2022Cultural congruity and extensions of corporate heritage brands: An empirical analysis of time‐honored brands in China15 cited
    • 2014Marketplace metaphors: communicating authenticity through visual imagery14 cited
    • 2023Invented corporate heritage brands13 cited
    • 2014CCT applied research and the limits of consumers’ heroicisation13 cited
    • 2017The process of de-iconisation of an iconic brand: a genealogical approach13 cited