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Art in the Making: Impressionism
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  • 2003Chemical Education: Towards Research-based Practice584 cited
  • 2012Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment113 cited
  • 2007Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884)105 cited
  • 2012Zinc white: a review of zinc oxide pigment properties and implications for stability in oil-based paintings91 cited
  • 2014Raman study of different crystalline forms of PbCrO4 and PbCr1−xSxO4 solid solutions for the noninvasive identification of chrome yellows in paintings: a focus on works by Vincent van Gogh78 cited
  • 2002The Routledge Reader in Politics and Performance57 cited
  • 2003Preparation of cross-sections from easel paintings57 cited
  • 2008Characterization of Pousão Pigments and Extenders by Micro-X-ray Diffractometry and Infrared and Raman Microspectroscopy54 cited
  • 1994Contribution of Raman spectroscopy to art and history49 cited
  • 2002The Characterization of Cobalt Violet Pigments45 cited
  • 2013Degradation of Emerald green in oil paint and its contribution to the rapid change in colour of theDescente des vaches(1834–1835) painted by Théodore Rousseau44 cited
  • 1995Later nineteenth century pigments: Evidence for additions and substitutions43 cited

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  • 2017Barium, zinc and strontium yellows in late 19th–early 20th century oil paintings41 cited
  • 2019Zinc Soaps: An Overview of Zinc Oxide Reactivity and Consequences of Soap Formation in Oil-Based Paintings39 cited
  • 1993The Materials of J. M. W. Turner: Pigments34 cited
  • 2018Reconstructing Van Gogh’s palette to determine the optical characteristics of his paints31 cited