Citation map · Study

SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics

9 references·3 citing·34 second hop

FromToDepth

this work references cited by second hop

References

1997The Second Practice of Nineteenth-Century Tonality180 cited
1990Studies on the Origin of Harmonic Tonality149 cited
1993Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music76 cited
1991Between Modes and Keys: German Theory 1592-180253 cited
1996Caribbean Currents: Caribbean Music from Rumba to Reggae39 cited
1987Mirrors and Metaphors: Reflections on Schoenberg and Nineteenth-Century Tonality38 cited
1992The Spanish Baroque Guitar and Seventeenth-Century Triadic Theory33 cited
1989Modal Harmony in Andalusian, Eastern European, and Turkish Syncretic Musics32 cited
1976Domenico Scarlatti and Spanish folk music15 cited

Cited by

2006The Saga of a Song: Authorship and Ownership in the Case of "Guantanamera"11 cited
2015The Fandangos of southern Spain in the Context of other Spanish and American Fandangos5 cited
2012Grooves and Waves: Cyclicity and Narrativity in Cuban Timba Piano4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work