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Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms
4 references·12 citing·42 second hop
Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms (2006)Harmonic Cross-Reference and the Dialecti…Classical Form (1998)Classical FormThe Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Medial Caesura and Its Ro…The Autonomy of Motives in Schenkerian Accounts of Tonal Music (1992)The Autonomy of Motives in Sc…Dissonant Prolongation: Theoretical and Compositional Precedents (1976)Dissonant Prolongation: Theor…Tonality (2023)TonalityThe Songs of Fanny Hensel (2021)The Songs of Fanny HenselSongs of Travel (2021)Songs of TravelPlagal Cadences in Fanny Hensel’s Songs (2021)Plagal Cadences in Fanny Hens…“You too may change” (2021)“You too may change”Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions (2017)Thematic and Non-Thematic Tex…Becoming Heinrich Schenker: music theory and ideology (2015)Becoming Heinrich Schenker: m…When Structure and Design Collide: The Three-Key Exposition Revisited (2014)When Structure and Design Col…Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms (2013)Tonal Pairing and Monotonalit…Introduction (2011)IntroductionExtraordinary Measures (2011)Extraordinary MeasuresDisability within Music-Theoretical Traditions (2011)Disability within Music-Theor…The Living Work: Organicism and Musical Analysis (1980)Remaking the Past (1990)Brahms and Schenker: A Mutual Response to Sonata Form (1994)Liquidation, Augmentation, and Brahms's Recapitulatory Overlaps (1994)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Haydn's 'Farewell' Symphony and the Idea of Classical Style (1991)Phrase Rhythm in Tonal Music (1991)Wordless Rhetoric (1991)Normalizing the Abnormal: Disability in Music and Music Theory (2006)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Brahms and the Principle of Developing Variation (1984)The Second Practice of Nineteenth-Century Tonality (1997)Elements of Sonata Theory (2006)Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music (2018)The Bifocal Close and the Evolution of the Viennese Classical Style (1989)Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form (1991)Parametric Interaction in Tonal Repertoires (2016)The Type 2 Sonata in the Nineteenth Century (2019)Diverging Subordinate Themes and Internal Transitions: Assessing Internal Modulations in Three‐Key Expositions (2020)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Cadence (2024)Complete poetical works (1983)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)The Body in the Mind (1987)Women, Fire, and Dangerous Things (1987)The Wounded Storyteller (1995)Making music, making friends: Long-term music therapy with young adults with severe learning disabilities (2013)The Impacts of COVID-19 on the Research Enterprise (2020)Music Theory’s Therapeutic Imperative and the Tyranny of the Normal (2021)Philosophical Investigations (1954)Religion and the Decline of Magic (2017)Lyricist as Analyst: Rhyme Scheme as Music-Setting in the Great American Songbook (2023)Principles of Categorization (2024)Tonality and Racism (2024)Transformations for the Twenty-First Century (2025)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Chromatic Transformations in Nineteenth-Century Music (2002)The Classical Cadence: Conceptions and Misconceptions (2004)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 1998Classical Form529 cited
  • 1997The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition162 cited
  • 1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited
  • 1992The Autonomy of Motives in Schenkerian Accounts of Tonal Music82 cited

Cited by

  • 2011Extraordinary Measures108 cited
  • 2013Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms57 cited
  • 2017Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions44 cited
  • 2023Tonality35 cited
  • 2014When Structure and Design Collide: The Three-Key Exposition Revisited32 cited
  • 2021The Songs of Fanny Hensel21 cited
  • 2011Introduction21 cited
  • 2021“You too may change”18 cited
  • 2021Songs of Travel16 cited
  • 2021Plagal Cadences in Fanny Hensel’s Songs16 cited
  • 2015Becoming Heinrich Schenker: music theory and ideology14 cited
  • 2011Disability within Music-Theoretical Traditions2 cited

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