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Voice-Leading Spaces
7 references·16 citing·33 second hop
Voice-Leading Spaces (1998)Voice-Leading SpacesMaximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Reimag(in)ing Riemann (1995)Reimag(in)ing RiemannKlumpenhouwer Networks and Some Isographies That Involve Them (1990)Klumpenhouwer Networks and So…The Problem of Prolongation in Post-Tonal Music (1987)The Problem of Prolongation i…Composition With Pitch-Classes (1987)Composition With Pitch-ClassesA Formal Theory of Generalized Tonal Functions (1982)A Formal Theory of Generalize…Perspectives of New Music (1963)Perspectives of New MusicHollywood Harmony: Musical Wonder and the Sound of Cinema (2022)Hollywood Harmony: Musical Wo…Hierarchical set theory (2022)Hierarchical set theoryWhy topology? (2020)Why topology?Tonal and Transformational Approaches to Chick Corea's Compositions of the 1960s (2016)Tonal and Transformational Ap…Harmony and Voice Leading in the Music of Stravinsky (2014)Harmony and Voice Leading in …Transformational Analysis and the Representation of Genius in Film Music (2013)Transformational Analysis and…Contextual-Inversion Spaces (2011)Contextual-Inversion SpacesModeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 (2010)Modeling Diatonic, Acoustic, …S cale T heory , S erial T heory and V oice L eading (2008)S cale T heory , S erial T he…Reconsidering Klumpenhouwer Networks (2007)Reconsidering Klumpenhouwer N…Voice Leading in Set-Class Space (2005)Voice Leading in Set-Class Sp…Associative Sets, Categories, and Music Analysis (2004)Associative Sets, Categories,…Dual Interval Space in Twentieth-Century Music (2003)Dual Interval Space in Twenti…Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory (2003)Combinatorial Space in Ninete…Music theory and mathematics (2002)Music theory and mathematicsCross-Partitions as Harmony and Voice Leading in Twelve-Tone Music (2001)Cross-Partitions as Harmony a…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Scoring Loss in Some Recent Popular Film and Television (2014)The Cambridge Companion to Film Music (2016)Chromatic Mediants and Narrative Context in Film (2018)Maximally Even Sets (1991)The Geometry of Musical Chords (2006)Continuous Harmonic Spaces (2007)Generalized Voice-Leading Spaces (2008)Set-Class Similarity, Voice Leading, and the Fourier Transform (2008)Three Conceptions of Musical Distance (2009)Lore and science in ancient Pythagoreanism (1972)The Structure of Atonal Music (1973)Generalized Musical Intervals and Transformations (1988)Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music (2012)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)Atonal prolongational structure (1989)The Cambridge History of American Music (1998)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Hugo Riemann and the Birth of Modern Musical Thought (2003)Hugo Riemann and the birth of modern musical thought (2004)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Uniform Triadic Transformations (2002)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Webern, Tradition, and "Composing with Twelve Tones..." (1993)Diagrams, gestures and formulae in music (2007)Tonality (2023)A Cognitive Theory of Musical Meaning (2000)Action and Agency Revisited (2013)Scales, Sets, and Interval Cycles: A Taxonomy (1999)A Platonic Model of Funky Rhythms (2016)
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References

  • 1963Perspectives of New Music381 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1987Composition With Pitch-Classes167 cited
  • 1987The Problem of Prolongation in Post-Tonal Music162 cited
  • 1995Reimag(in)ing Riemann151 cited
  • 1982A Formal Theory of Generalized Tonal Functions148 cited
  • 1990Klumpenhouwer Networks and Some Isographies That Involve Them91 cited

Cited by

  • 2005Voice Leading in Set-Class Space55 cited
  • 2002Music theory and mathematics51 cited
  • 2013Transformational Analysis and the Representation of Genius in Film Music46 cited
  • 2008S cale T heory , S erial T heory and V oice L eading40 cited
  • 2003Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory34 cited
  • 2022Hierarchical set theory27 cited
  • 2011Contextual-Inversion Spaces25 cited
  • 2016Tonal and Transformational Approaches to Chick Corea's Compositions of the 1960s23 cited
  • 2001Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music

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23 cited
  • 2003Dual Interval Space in Twentieth-Century Music23 cited
  • 2004Associative Sets, Categories, and Music Analysis22 cited
  • 2014Harmony and Voice Leading in the Music of Stravinsky22 cited
  • 2007Reconsidering Klumpenhouwer Networks21 cited
  • 2010Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 196016 cited
  • 2020Why topology?14 cited
  • 2022Hollywood Harmony: Musical Wonder and the Sound of Cinema13 cited