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Between Colonizers: Hong Kong's Postcolonial Self-Writing in the 1990s
7 references·16 citing·39 second hop
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this work references cited by second hop

References

  • 20063.2. MARXISM AND LITERATURE4,509 cited
  • 1992Postcoloniality and the Artifice of History: Who Speaks for "Indian" Pasts?1,194 cited
  • 1989Representing the Colonized: Anthropology's Interlocutors1,033 cited
  • 1995Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies963 cited
  • 1992The Post-Colonial Critic : Interviews, Strategies, Dialogues910 cited
  • 1991Is the Post- in Postmodernism the Post- in Postcolonial?771 cited
  • 1991Belated Modernity and Aesthetic Culture: Inventing National Literature167 cited

Cited by

  • 1995The Singapore Way of Multiculturalism: Western Concepts/Asian Cultures110 cited
  • 2007Global media ethics revisited93 cited
  • 2001Changing the Terms75 cited
  • 2000Futures for Hong Kong English63 cited
  • 2001Spectral Times: The Ghost Film As Historical Allegory60 cited
  • 2007The Chinese Exotic49 cited
  • 2006Outside in: ‘accented cinema’ at large27 cited
  • 2008“Aloha Spirit” and the Cultural Politics of Sentiment as National Belonging27 cited
  • 1997Originality in the Postcolony: Choreographing the Neoethnic Body of Philippine Ballet

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25 cited
  • 2009DECOLONIZING GLOBAL THEORIES TODAY24 cited
  • 2009Horror to the Extreme: Changing Boundaries in Asian Cinema21 cited
  • 2018Including China? Postcolonial Hong Kong, Sinophone Studies, and the Gendered Geopolitics of China-centrism20 cited
  • 2009The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music19 cited
  • 2006IDENTITY POLITICS AND ITS DISCONTENTS19 cited
  • 2012Aspects of Urbanization in China : Shanghai, Hong Kong, Guangzhou16 cited
  • 2000Hong Kong: The Anthropology of a Chinese Metropolis15 cited