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Material Cavendish: Paper, Performance, “Sociable Virginity”
16 references·1 citing·38 second hop
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References

  • 1990Epistemology of the Closet3,698 cited
  • 1988The Politics and Poetics of Transgression3,290 cited
  • 2011Questions of Cultural Identity1,794 cited
  • 1994Cultural Capital: The Problem of Literary Canon Formation878 cited
  • 1973A New Introduction to Bibliography723 cited
  • 1997Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama460 cited
  • 2013Performativity and Performance309 cited
  • 2003The Renaissance of lesbianism in early modern England272 cited
  • 2019The Cultural Uses of Print in Early Modern France228 cited
  • 1991Staging the Renaissance : reinterpretations of Elizabethan and Jacobean drama222 cited
  • 1983Reason's Disciples: Seventeenth Century English Feminists142 cited
  • 2012Embracing the Absolute: The Politics of the Female Subject in Seventeenth-Century England140 cited
  • 1998:A New History of Early English Drama121 cited
  • 1997:Subject and Object in Renaissance Culture109 cited
  • 2000Lines of Activity: Performance, Historiography, Hull-House Domesticity102 cited
  • 1994Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus.

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88 cited

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  • 2008Performance, Performativity, and Identity in Margaret Cavendish’s The Convent of Pleasure9 cited