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National identity and the realist aesthetic: Indian cinema of the fifties
8 references·1 citing·26 second hop
National identity and the realist aesthetic: Indian cinema of the fifties (1989)National identity and the realist aesthet…Realism and Reality: The Novel and Society in India (1985)Realism and Reality: The Nove…Indian cinema superbazaar (1983)Indian cinema superbazaarClass and Allegory in Contemporary Mass Culture: Dog Day Afternoon as a Political Film (1977)Class and Allegory in Contemp…Theory and Film: Principles of Realism and Pleasure (1976)Theory and Film: Principles o…Realism and the Cinema: Notes on some Brechtian theses (1974)Realism and the Cinema: Notes…What is cinema (1967)What is cinemaTHEORY OF FILM: The Redemption of Physical Reality (1965)THEORY OF FILM: The Redemptio…Myths, dreams and mysteries (1957)Myths, dreams and mysteriesThe Anti-Colonial Revolutionary in Contemporary Bollywood Cinema (2010)The Anti-Colonial Revolutiona…Imperial leather: race, gender and sexuality in the colonial contest (1996)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Location of Culture (2012)Strategies of marxist cultural interpretation (1984)Cultural Studies Revisited and Revised (1983) (1997)Toward a Genealogy of the State of Cultural Studies (1996) (1997)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)Twelve Fallacies in Contemporary Adaptation Theory (2003)Intensities of feeling: towards a spatial politics of affect (2004)The Hindi Public Sphere 1920–1940 (2009)The Cambridge Companion to the Victorian Novel (2012)Realism in the twentieth-century Indian novel: colonial difference and literary form (2013)Television: Polysemy and popularity (1986)Death Every Afternoon (2003)The Cambridge Introduction to Postmodern Fiction (2009)Paradox and the Consumption of Authenticity through Reality Television (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Attentional Theory of Cinematic Continuity (2012)The Effects of Race, Gender, and Fandom on Audience Interpretations of Madonna's Music Videos (1990)Second Language Learners Making Video in Three Contexts (2012)Towards an experiential analysis of shamanism (1980)The Mythology About Globalization (1992)The Nation in History: Historiographical Debates about Ethnicity and Nationalism (2000)Bombay Films: The Cinema as Metaphor for Indian Society and Politics (1992)Popular Songs and Comic Allusion in Contemporary Cinema (2001)House full (2006)
this work references cited by second hop

References

  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 1967What is cinema602 cited
  • 1957Myths, dreams and mysteries256 cited
  • 1974Realism and the Cinema: Notes on some Brechtian theses248 cited
  • 1985Realism and Reality: The Novel and Society in India198 cited
  • 1976Theory and Film: Principles of Realism and Pleasure93 cited
  • 1977Class and Allegory in Contemporary Mass Culture: Dog Day Afternoon as a Political Film86 cited
  • 1983Indian cinema superbazaar68 cited

Cited by

  • 2010The Anti-Colonial Revolutionary in Contemporary Bollywood Cinema7 cited

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